美杜莎的凝视:希拉里克林顿的失败

Victoria Clebanov, B. Kravitz
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引用次数: 0

摘要

这篇文章冒险在选举后反思克林顿失败的意义,通过解决其象征性的代表,即美杜莎被胜利的珀尔修斯斩首。我们认为,克林顿在公众的想象中引发了美杜莎的可憎形象,美杜莎是所有[父权]时代女性怪物的缩影,而特朗普对他的对手的形象则表达了男人古老的焦虑:害怕女人是男人自己怪物的镜子,无法容忍女人身上的模糊性,嫉妒没有能力创造生命(“子宫嫉妒”)。因此,特朗普认为克林顿是美杜莎,这与男人认为强大/有创造力的女人是一个可怕的威胁,提醒他自己自恋的不满。它也揭示了男人需要通过伤害美杜莎来妖魔化她,然后再妖魔化她。就像奥维德故事中的美丽少女美杜莎自己变成了人类自身怪物的石化镜子一样,克林顿的表现和克林顿的失败也变成了一面镜子,通过这面镜子,厌恶女性的隐形镜头表现出来。
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Gaze of the Medusa: The Defeat of Hillary Clinton
This essay ventures a post-election reflection on the significance of Clintonʼs defeat by addressing its emblematic representation as Medusaʼs decapitation by the triumphant Perseus. It is not a coincidence, we argue, that Clinton triggered in public imagination the odious image of Medusa, the epitome of female monstrosity of all [patriarchal] times, while Trumpʼs imagery of his rival articulated the ancient angst of man: the fear of woman as a mirror of manʼs own monstrosity, the inability to tolerate ambiguity embedded in woman, the envy of incapacity to create life ("uterus envy"). Thus, Trumpʼs experience of Clinton as Medusa echoes manʼs experience of powerful/ creative woman as a monstrously threatening reminder of his own narcissistic discontents. It also unravels manʼs need to demonize Medusa by victimization and then re-victimize her by demonization. Just as Medusa herself, an innocent beautiful maiden from Ovidʼs story, converts into a petrifying mirror of manʼs own monstrosity, so does the representation of Clinton and Clintonʼs defeat becomes a mirror through which an invisible lens of misogyny manifests itself.
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