在佐科·安华的阿里山同志空间的形成!

Marzita Mohamed Noor, J. Seach
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引用次数: 0

摘要

虽然同性恋空间的概念最初是作为一种文化地理研究,主要集中在同性恋可见度高的西方国家,但近年来,越来越多的学者开始热衷于追踪亚洲地区同性恋空间的存在。这篇文章追溯了安瓦尔2003年的电影《阿里桑!》中同性恋空间的形成。这部电影的背景设定在现代的印尼,在那里同性恋仍然是不被人接受的,电影探讨了男主角萨克蒂如何在一个异性恋规范统治的世界里努力接受自己的同性恋。这项研究认为,阿里桑的同性恋空间!并不是仅仅通过积极地描绘同性恋角色而形成的,而是通过推翻异性恋规范结构而形成的,而异性恋规范结构塑造了电影中所描绘的性霸权的核心。本研究考察了令人敬畏的异性恋规范结构是如何被有毒的男性气质、有毒的女性气质以及为了给同性恋空间的形成腾出空间而将异性恋世界问题化而破坏的。
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The Formation of Gay Space in Joko Anwar’s Arisan!
Although the notion of gay space started out as a cultural geographic study that predominantly focused on Western countries where gay visibility was high, more scholars have begun to show keenness in tracing the existence of gay space in Asian regions in recent years. This article traces the formation of gay space in Jono Anwar’s 2003 movie Arisan!. Set in modern day Indonesia where homosexuality is still deeply frowned upon, the movie explores how the male protagonist - Sakti struggles to come to terms with his own homosexuality in a world governed by heteronormativity. This study argues that the gay space in Arisan! is not formed by merely portraying the gay characters in a positive light but rather, by toppling the heteronormative structures that shaped the core of sexual hegemony as portrayed in the movie. This study examines how the formidable heteronormative structures are destabilized by toxic masculinity, toxic femininity, and the problematizing of heterosexual world for the purpose of making room for the formation of gay space. 
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