瓢虫:我敌人的(天然)敌人是我的朋友?让瓢虫加入对抗害虫的战争

Kaitlin Stack Whitney
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摘要

美国各地的园丁经常要求增援害虫控制——瓢虫。瓢虫卖家声称,与化学杀虫剂相比,瓢虫是天然的,但现实要复杂得多。将瓢虫征召到家中花园的虫害战争中,是美国长期军事化虫害防治历史的延续,而不是背离。这条轨迹并非不可避免。对趋同瓢虫和丑角瓢虫的不同讨论和管理揭示了一种紧张关系。与从亚洲传播到美国的其他生命形式类似,小丑瓢虫不仅不被认为是一种有效的花园捕食者,反而被指责为一系列疾病的罪魁祸首。在现代战争中,小丑瓢虫出现的时间越长,就越不清楚敌人到底是谁。军事化的害虫控制措施和想象力将昆虫既视为花园中的敌人,又视为士兵,但除了将瓢虫视为好与坏、天敌或仅仅是敌人之外,还有其他可能性。这篇文章是圆桌会议“家庭主妇的秘密军火库”(以下简称HSA)的一部分;八个面向对象的交战的集合,集中于驯化战争的特定物质实例。这个圆桌会议的标题故意半开玩笑地提醒读者,军国主义可以在许多方面对他们的用户来说是不可见的,但却以帮助家务劳动的日常家居用品的形式持续存在。将刻意塑造的“家庭主妇”与战场并置,引发了人们对这些物品和技术从战场到厨房、浴室或花园的悄然迁移的质疑。作为“武器库”聚集在一起,他们彼此之间不可思议的接近成为一个关键的工具,用来询问战争如何在我们的生活中找到自己的家。
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Ladybugs: The (Natural) Enemy of My Enemy Is My Friend? Enlisting Ladybugs into the War on Insect Pests
Gardeners around the United States often call in reinforcements for pest control—ladybugs. Ladybug sellers claim that in contrast to chemical pesticides, ladybugs are natural, but the reality is more complicated. Conscripting ladybugs into the war on insect pests at home in the garden is a continuation, not a departure, from the long history of militarized pest control in the US. This trajectory was not inevitable. The divergent discussions and management of the convergent ladybug and the harlequin ladybug reveal a tension. Similar to the other lifeforms that traveled from Asia to the US, the harlequin ladybug is not merely unacknowledged as an effective garden predator but is instead blamed for a wide range of ills. And the longer the harlequin ladybug is around, the less clear it is who the enemy really was, as in modern war. Militarized pest control practices and imaginations have framed insects as both enemy and soldier in the garden, but there are other possibilities beyond seeing ladybugs as good and bad, natural enemy or just enemy. This essay is a part of the Roundtable called “The Housewife’s Secret Arsenal” (henceforth HSA); a collection of eight object-oriented engagements focusing on particular material instantiations of domesticated war. The title of this roundtable is deliberately tongue-in-cheek reminding readers of the many ways that militarisms can be invisible to their users yet persistent in the form of mundane household items that aid in the labor of homemaking. Juxtaposing the deliberately stereotyped “housewife” with the theater of war raises questions about the quiet migration of these objects and technologies from battlefield to kitchen, or bathroom, or garden. Gathered together as an “arsenal,” their uncanny proximity to one another becomes a key critical tool in asking how war comes to find itself at home in our lives.
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