行动主义的核心:社区参与的故事

D. Monk, B. Jayme, Emilie Salvi
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引用次数: 1

摘要

本文邀请读者考虑艺术对公众参与的力量和潜力,以及它在社会运动学习和要求我们现在想要的世界中的应用。作者将社会运动定义为学术和学习的重要场所。他们强调,通过运用创造性的策略,对世界的本质和自己在世界中的地位进行批判性思考,艺术形式有可能为社会变革做出重要贡献。受到与批判性艺术为基础的学习和社会运动中的学习相关的文献的启发,作者探讨了抗议艺术和公共艺术展览的表现形式。他们将自己的写作背景与圣保罗的流动艺术展览、蒙特利尔的“枫树之春”(Tiotia:ke用Kanien的语言keh:ka)以及Lekwungen地区(不列颠哥伦比亚省维多利亚)的反C-51法案抗议活动联系起来。他们展示和反思自己在公共示威中使用艺术作为参与和声音代表的经历。
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The heART of Activism: Stories of Community Engagement
This paper invites the reader to consider the power and potential of art for public engagement, and its use in social movement learning and in demanding the world we want now. The authors frame social movements as important sites of scholarship and learning. They emphasize that by applying creative strategies to engage in critical thought about the nature of the world and one’s position in it, artforms have the potential to make essential contributions to social change. Inspired by literature related to critical art-based learning and learning in social movements, the authors explore representations of protest art and public art exhibitions. They contextualize their writing with stories of mobile art exhibits in Sao Paulo, the ‘maple spring’ in Montreal (Tiotia:ke in the language of the Kanien’kehá:ka), and anti–Bill C-51 protests in Lekwungen territory (Victoria, British Columbia). They present and reflect on their own experiences of using art as engagement and as a representation of voice in public demonstrations.
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