“不再是小盒子”——文学领域的诗学定位

Stefanie Mueller
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摘要

我这篇文章的标题借用了托马斯·塞耶斯·埃利斯(Thomas Sayers Ellis)的一首诗《Skin, Inc.》(2010)中的一句话,这首诗在经济和正式的启示方面使用了结合的隐喻:正式地作为一个容器,一个盒子的象征,诗人/抒情人物发现自己被困在其中,因为他试图创造和写作;在经济上,诗人和企业家一样,必须在文学市场上销售自己的品牌和产品。根据皮埃尔·布迪厄关于文学场域理论的研究,我认为诗歌是2010年美国文学场域的一种诗歌立场。在我的阅读中,我探索了这首诗中呈现的文学市场,我认为我们可以用这个市场的形象来思考种族在美国文学领域的作用,特别是关于所谓的“后灵魂美学”。
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“No more little boxes” – Poetic Positionings in the Literary Field
Abstract My article’s title borrows a line from Thomas Sayers Ellis’s poem “Skin, Inc.” (2010), a poem which uses the metaphor of incorporation in terms of its economic and formal affordances: formally as signifying upon a container, a box, in which the poet/lyric persona finds himself trapped as he is trying to create and to write; and economically, as signifying upon the poet as entrepreneur, who has to sell a brand and a product in the literary marketplace. Based on Pierre Bourdieu’s work on the theory of the literary field, I think of the poem as a form of poetic position-taking in the literary field in the Unites States in 2010. In my reading, I explore the literary marketplace as presented in the poem, and I argue that we can use this image of the market to think about the role of race in the literary field in the US, in particular with regard to what has been called the “post-soul aesthetic.”
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