生态技术在现代雕塑和陆地艺术品中的应用

Yehor Titenkov
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摘要

探讨了环境技术的发展及其在当代艺术中的应用,特别强调了雕塑实践和陆地艺术品。事实上,人们发现乌克兰科学家相当间接地处理了当代艺术品背景下的环境趋势问题。应该指出的是,绝大多数研究都局限于生态设计的一般特征,而没有关注这一现象的艺术和风格特征,特别是在艺术方面。揭示了科学技术进步、环境问题恶化和二十世纪艺术实践演变之间相互联系的历史方面。发现这些过程是一致的,是综合的。概述了可归属于环境艺术的具有代表性的当代艺术项目,明确了其特有的艺术特征,确定了生态艺术的主要方向。分析了最新技术对增强动态的影响,以及采用生态风格作为对现代文化整体数字化进程的一种对抗。特别是,它追踪了当今环境技术如何应用于三维艺术品,以及知名艺术家如何处理21世纪最实际的问题。生态雕塑的两个主要载体已经确定:使用技术的复杂物体和土地艺术项目,主要关注哲学概念和人类与自然和谐的问题。然而,事实证明,这两个领域在当今充满活力的艺术进程中具有同等的价值和极其相关的意义,鉴于现代世界环境问题的日益恶化,这两个领域也具有相当大的潜力和进一步发展的前景。
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Application of eco-technologies in modern sculpture and land-art objects
Topical issues of the development of environmental technologies and it’s application in contemporary art have been explored, with particular emphasis on sculptural practices and land-art objects. In fact, it has been found that the Ukrainian scientists have addressed rather indirectly to the problem of environmental trends in the context of contemporary art objects. It should be noted that the vast majority of research is limited to the generic characteristics of eco-design and does not focus on the artistic and stylistic features of this phenomenon in general and in art in particular. The historical aspect of the interconnections of scientific and technological progress, exacerbation of environmental issues and the evolution of artistic practices of twentieth century art is revealed. It was found out that these processes were consonant and synthesized. Representative contemporary art projects that can be attributed to environmental art were outlined, their characteristic artistic features were clarified and the main directions of eco-art were determined. The influence of the latest technologies on enhanced dynamics and the adoption of eco-style as a kind of counteraction to the processes of digitalization of modern culture as a whole are analyzed. In particular, it has been traced how environmental technologies are used today in three-dimensional art objects, and how well-known artists work with the most actual issues of the 21st century. Two main vectors of eco-sculpture have been identified: complex objects using technology and land-art projects, which are mainly focused on philosophical concepts and issues of human harmony with nature. However, it has been proved that these two areas are of equal value and extremely relevant in the dynamic artistic processes of today, and also have considerable potential and prospects for further development in view of the increasing aggravation of environmental problems in the modern world.
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