考察Ayoade Okedokun的《美丽女神的故事》中的多语特征:社会语言学评价

I. Koutchadé
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引用次数: 0

摘要

在大多数非洲作品中,人们普遍注意到文化和语言背景会影响文学习语的创作。非洲作家根据他们所处的环境使用英语;他们还利用多语言的特点,从而将英语与他们从母语中汲取的语言资源结合起来。本文旨在探讨尼日利亚作家Ayoade Okedokun创作的戏剧《莫佩洛拉:美丽女神的故事》中的多语言模式。本文主要关注约鲁巴人在语言和文化方面的影响,这些影响反映了该剧使用多种语言的特点。分析表明,在英语中存在着各种各样的借用、语码转换和音译现象,这些现象代表了文化干扰,这些文化干扰是为了将作者的母语文化和语言的某些元素迁入英语中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Investigating Features of Multilingualism in Ayoade Okedokun’s Mopelola: The Tale of a Beauty Goddess: A Sociolinguistic Appraisal
In most African writings, it is commonly noticed that culture and linguistic background affect the creation of literary idiolects. African writers use the English language in accordance with the situation in which they find themselves; they also make use of multilingual features, thus combining the English language with the linguistic resources they draw from their mother tongue. This paper aims to explore patterns of multilingualism in Mopelola: The Tale of a Beauty Goddess, a play produced by a Nigerian writer, Ayoade Okedokun. The paper mainly focuses on the linguistic and cultural influence of Yoruba that reflect the use of multilingualism features in the play. The analysis shows that there are various instances of borrowing, code-switching and transliteration representing the cultural interferences which are used to accommodate some elements of the writer’s native culture and language into the English language.
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