当代诗歌中的歧义研究(以Abd al-Wahhab al-Bayati的诗歌《Rasail al-Imam al-Shafi'i》为例)

Abolhasan Amin Moghadasi, Jaber Emamzadeh
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引用次数: 0

摘要

诗歌作为艺术的一个分支,遵循艺术美学的一般规律,模糊性是其基本要素之一,被认为是诗歌批评的一种吸引因素和审美标准。从这个意义上说,歧义被理解为一种在文本中唤起特定类型的阅读和理解的现象。不确定性、多义性和意义开放性是歧义文学文本的特征。本研究在研究了当代阿拉伯诗歌中歧义的历史、概念和功能之后,分析了巴亚蒂的颂歌《拉西尔·伊玛目·沙菲伊》中的歧义现象。从研究结果来看,这是一种描述性的分析方式,发现艺术歧义是诗歌原创作品的一个突出特征,但试图组织或规范它是困难的或不可能的,因为多次阅读歧义文本不一定导致完整和准确的理解,而是我们的品味受到我们的意识和心理感知领域的影响。我们还发现,巴亚蒂的诗歌具有一定程度的艺术模糊性,这种模糊性是在象征主义、面具、神话和互文性等新的解读技术背景下出现的,并通过深化诗歌体验,使他的诗歌风格持久而有效。
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A study of ambiguity in contemporary poetry (The poem "Rasail al-Imam al-Shafi'i" by Abd al-Wahhab al-Bayati as a model)
Poetry, as one of the branches of art, follows the general rules of art aesthetics, and ambiguity is one of its essential elements, which is considered an attractive factor and an aesthetic criterion in poetry criticism. In this sense, ambiguity is understood as a phenomenon that evokes certain types of reading and understanding in the text. Uncertainty, polysemyand openness of meaning are the characteristics of ambiguous literary text. In this research, after studying the history, concept and function of ambiguity in contemporary Arabic poetry, we have analyzed this phenomenon in the ode "Rasail al-Imam al-Shafi'i" by Abdul Wahab al-Bayati. From the findings of the research, which was carried out in a descriptive analytical way, it was found that artistic ambiguity is a prominent feature of original poetic works, but trying to organize or regularize it is difficult or impossible because multiple readings of an ambiguous text do not necessarily lead to a complete and accurate understanding, but rather Our taste is affected by the fields of our awareness and mental perceptions. We also found that Bayati's poetry has a level of artistic ambiguity that has emerged in the context of new interpretation techniques such as symbolism, mask, myth and intertextuality, and by deepening the poetic experience, it has made his poetic style lasting and effective.
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