Emmanuil mysk作品中的雕塑肖像:塑料语言的演变

O. Honcharuk
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摘要

在这篇文章中,对乌克兰知识分子代表人物肖像系列的视觉结构特征进行了复杂的分析,这是由E. mysk创作的。特别是,鉴于所描绘的专业和个人特征,确定了该系列的具体视觉解释和概念基础。除此之外,本文还对基本系列作品进行了对比分析,展示了伊曼纽尔·米什科艺术风格的独特个性和特点,他与自然的工作方法,特别是被称为“活雕塑”的形象人物的视觉特征。因此,主要的焦点是艺术家Ivan Muzychko (І)的雕塑中形式塑料解决方案的表现特征。霍马,M. labunkning, W. Sternyuk, J. Slipyj。此外,本文还对E. Mysko在每一幅肖像画中所做的个性化构图、造型和心理重音进行了说明。
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A sculptural portrait in the work of Emmanuil Myskо: the evolution of plastic language
In this article a complex analysis of visual structural features in portraits series of representatives of Ukrainian intellectuals, which was created by E. Myskо. In particular, there were identi ed the speci city of visual interpretations and conceptual foundations of that series in view of professional and personal characteristics portrayed. Except that in this article have been made comparative analysis of the essential series, which displayed the unique character and features of Emmanuil Mysko’s artistic style, his method of working with nature, and especially visual features of pictured characters which are called «living sculpture». Accordingly, the main focus was applied on the representation characteristics of formal-plastic solutions in the sculptures of artist Ivan Muzychko, І.Khoma, M. Labunkа, W. Sternyuk, J. Slipyj. In addition, in this article individualized composition, forming and psychological accents, which was made by E. Mysko in each of these portraits have been noted.
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