尼泊尔印度教朝圣地帕舒帕提纳斯的黑暗旅游前景探索

R. Kunwar, Bikram Homagain, Neeru Karki
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摘要

在后现代世界的旅游景观中,一个独特且日益普遍的特征是游客对死亡和与死亡有关的任何事物的特殊兴趣。人们通常认为,那些沉迷于死亡和灾难现场之旅的人可能会唤醒他们的精神之旅。游客沉浸在死亡的空间中,以及已经发生或重新创造的事件,触发了社会良知,或一些共同的情感或参与死亡事件的体验。考虑到这一点,选择了Pashupatinath寺庙——桑塔纳吠陀宗教信徒的朝圣之地,它展示了印度教死亡仪式、符号和过程的全面方面。该研究建议将该遗址作为一个黑暗旅游目的地,并探索与该地区特征相关的文化遗产遗址,朝圣和死亡仪式的融合-特别是在火葬场(ghat)亲眼目睹了露天柴堆燃烧的死亡仪式,该仪式专门展示了印度教死亡仪式所展示的东方死亡现象-观众。尽管该遗址在旅游业中具有巨大的影响力,但该遗址所引发的东部黑暗旅游潜力尚未得到旅游利益相关者的正式认可。尽管它作为一种旅游元素被西方游客广泛消费。帕舒帕提纳斯高止山脉的印度教死亡传统现象包括所有与死亡有关的仪式,是过渡和越界的门槛,是生与死之间的一个地方。从此以后,由于黑暗旅游的中心宗旨是“死亡”,帕舒帕提纳斯的印度教死亡仪式可以被坚定地纳入黑暗旅游话语的领域。这些发现是基于推动因素的普遍存在,这些推动因素鼓励人们在有限的条件下(处于中间位置)将拟建场地作为一种黑色旅游产品进行消费。更具体地说,情感的智能化实践,访问的便利性,寓教于乐的元素,道德脱离的实践。如果仅仅是火葬场的推广,那么在帕舒帕提纳进行黑暗旅游的前景可能会带来负面影响,并引起道德和伦理方面的关注。因此,旅游利益相关者应该有意识地将这一现象引入到该遗址的主流宗教和文化价值的普及中。
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Exploring the Prospective of Dark Tourism in Pashupatinath: A Hindu Pilgrimage Site, Nepal
A unique and increasingly pervasive feature within the tourism landscapes in the post-modern world is the special interests of tourists in death and anything associated with death. It is often believed that those who indulge in death and disaster site tours could potentially awaken their spiritual journey. The visitor immersions, in the spaces of death, and the events that have taken place or are re-created, triggers social conscience, or some shared emotion or an experience of involvement, with the death event. Reckoning to this facet, Pashupatinath temple- a place of pilgrimage for the followers of Santana Vedic religion which shows the comprehensive aspect of Hindu death rituals, symbols and processes has been chosen. The study proposes the site as a dark tourism destination and explores the convergence of cultural heritage site, pilgrimage and death rituals in the area that is associated with its characterization- particularly with reference to the witnessing of live open pyre burning death rituals at the cremation ground (ghat) that exclusively showcases the eastern phenomenon of death-spectatorship exhibited by Hindu death ritual. Despite an immense influence of the site in the tourism industry, the eastern dark tourism potential induced by the site has not been recognized formally by the tourism stakeholders. Even though it is widely consumed by the western visitors as a tourist element. The phenomenon of Hindu death tradition in the ghats of Pashupatinath is inclusive of all the death-related rituals and is a threshold of transition and transgression, a place in between life and death. Henceforth, as the central tenet of dark tourism being “the death”, Hindu death rituals in Pashupatinath could be firmly brought into the realms of dark tourism discourse. The findings are based on the prevalence of push factors that encourages consumption of the proposed site as a dark tourist product in liminal conditions (an in-between position). To be more specific, the practice of intellectualization of emotion, convenience of visits, edutainment elements, practice of moral disengagement. The prospective of dark tourism in Pashupatinath, if entitled to the mere promotion of the crematory site, may send a negative connotation and raise moral and ethical concerns. Hence, tourism stakeholders should consciously introduce the phenomenon as an accompaniment to the popularized mainstream religious and cultural value of the site. 
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