《拜伦与善终

T. Mole
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引用次数: 0

摘要

这篇文章认为,在拜伦的写作生涯中,他一直着迷于生命的边缘:死亡的那一刻。对于拜伦和他的英雄们来说,正视他人的死亡被认为是一种道德上的刚毅。然而,拜伦的诗经常省略死亡的时刻,没有提供对死亡的描述,而是提供了一种修辞上的中断,使死亡的时刻消失在诗的结构中。这篇文章研究了拜伦是如何在生活的边缘和语言的边缘进行创作的,表明这些边缘成为了他诗歌的核心。
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Byron and the Good Death
The essay argues that throughout his writing life Byron was fascinated by the margin of life: the moment of death. For Byron and his heroes, looking squarely at other people’s deaths is understood to signify and promote a kind of moral fortitude. Byron’s verse, however, often elides the moment of death, offering no description of it, but offering instead an aposiopesis – a rhetorical break that allows the moment of death to disappear into the texture of the verse. The essay investigates how Byron operates at the margins of life and also at the margins of language, suggesting that those margins become central to his poetry.
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The Margins of Genius: Byron, Nationalism and the Periodical Reviews Lord Byron, Wandering and Wavering between the Centres and Margins of Romanticism: An Attempt at an Introduction ‘Stand not on that brink!’: Byron, Gender and Romantic Suicide At the Margins of Europe: Byron’s East Revisited and The Giaour ‘When a man talks of system, his case is hopeless’: Byron at the Margins of Romantic Counterculture
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