黑人十年的教育与暴力

Erin Twohig
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摘要

本章探讨文学如何描绘创伤和政治危机时期的课堂场景,以及文学对创伤历史时刻的描述本身是否具有教学意义。它特别关注20世纪90年代黑色十年的文学肖像。当时教室里的学生和老师都是暴力的目标。描绘这一时期的文学课堂变成了一个空洞或断裂的空间,取而代之的是教师与学生、作家与读者在校外的直接接触。描绘20世纪90年代的小说中,老师和学生在酒吧和咖啡馆见面,年轻女孩在家里互相阅读和教学,前老师在流亡期间给学生写信。本章与两部中心小说——瓦希巴·希亚里的《我们的沉默》和巴希尔·梅夫提的《回忆的房间》——一起讨论纳西拉·贝卢拉的《仇恨的签证》、博阿莱姆·桑萨尔的《野蛮人的宣誓》和阿赫拉姆·莫斯特加尼米的《黑色变成了你》。这些作品中对教育的描绘适用于黑色十年之外的背景,因为它们展示了小说如何在充满敌意的政治和教育环境中见证并触及读者。
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Education and Violence in the Black Decade
This chapter asks how literature portrays classroom scenes during times of trauma and political crisis, and whether literary depictions of historical moments of trauma can, themselves, be pedagogical. It focuses in particular of literary portraits of the Black Decade of the 1990s. a time when students and teachers inside classrooms were targets of violence. The literary classroom depicting this time became a vacant or fractured space, replaced by direct encounters outside the school between teachers and students, writers and readers. Novels depicting the 1990s feature teachers and students meeting in bars and cafés, young girls who read and teach each other at home, and former teachers writing to their students from exile. Along with two central novels, Wahiba Khiari’s Nos silences (Our silences) and Bashir Mefti’s Ghurfat al thikrayat (The room of memories), this chapter discusses Nacira Belloula’s Visa pour la haine (Visa for hatred), Boualem Sansal’s Le serment des barbares (The barbarians’ oath), and Ahlam Mosteghanemi’s Al aswad yaliq bik (Black becomes you). The portraits of education in these works are applicable beyond the context of the Black Decade, as they show how novels bear witness to and reach readers in a hostile political and educational environment.
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Conclusion Decolonizing the Classroom Works Cited Index Acknowledgments
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