新冠疫情时期的伊斯兰音乐和古兰经艺术:印度尼西亚的合作研究和虚拟人种学

Muhammad As'ad, Dadi Darmadi, Anne K. Rasmussen
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摘要

这篇文章描述了由三个学者教师组成的团队设计和实施的合作研究:我们两个在印度尼西亚,一个在弗吉尼亚。经过一年的隔离,我们每个人都面临着无法继续开展自己的印度尼西亚宗教文化人种学研究项目以及受冠状病毒大流行影响的国际合作限制的挑战。我们的合作研究利用变焦会议进行规划和“虚拟人种学”作为数据收集的方法,调查了疫情给伊斯兰音乐和古兰经艺术从业者以及印度尼西亚伊斯兰大学的教育工作者带来的挑战。2021年4月和5月举行了三次重点小组讨论,就冠状病毒大流行对伊斯兰音乐、古兰经艺术和通常发生这些活动的社会仪式的影响汇集了不同的声音。开放式问题使FGD与会者能够就去年的检疫议定书对印度尼西亚日常生活的社会、文化、经济、艺术和仪式方面的影响,以及在这一充满挑战的时期发展起来的各种创新和最佳做法,分享他们的观点。除了从社区个人收集定性数据外,我们的fgd还允许不同的学者和从业者相互交流。我们的研究团队的地域和机构的广度扩大了我们的fdd邀请的各种参与者。他们是来自雅加达、日惹、泗水、三宝垄、玛琅、万隆、棉兰、巴东、班达亚齐和万那老等地区的艺术家、宗教领袖和学者。通过这一系列对话和创新的合作研究方法,我们正在重新思考冠状病毒大流行时期印度尼西亚社会、文化、宗教、性别和艺术交叉点的民族志参数。
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Islamic Music and Qur’anic Arts in the Time of the Corona Pandemic: Collaborative Research and Virtual Ethnography “in” Indonesia
This contribution describes collaborative research designed and implemented by a team of three scholar-teachers: two of us in Indonesia and one in Virginia. After a year in quarantine, each of us was challenged by the inability to continue our own ethnographic research projects on religious culture in Indonesia and the limitations on international collaboration effected by the corona pandemic. Using zoom meetings for planning and ‘virtual ethnography’ as a method of data collection, our collaborative research investigates the challenges presented by the pandemic among practitioners of Islamic music and Qur’anic arts, and educators in Indonesia’s Islamic universities. Three focused group discussions (FGD) in April and May 2021 brought together diverse voices on the effects of the corona pandemic on Islamic music, Qur’anic arts, and the social rituals where they normally occur. Open-ended questions allowed FGD participants to share their perspectives on the effects of the past year’s quarantine protocol on the social, cultural, economic, artistic, and ritual aspects of daily life in Indonesia, and the various innovations and best practices that have developed during these challenging times. In addition to collecting qualitative data from community individuals, our FGDs also allowed various scholars and practitioners to converse with one another. The geographic and institutional breadth of our research team is extended by the variety of invited participants in our FGDs. They are artists, religious leaders, and academics from the areas of Jakarta, Yogyakarta, Surakarta, Semarang, Malang, Bandung, Medan, Padang, Banda Aceh, and Manado. Through this series of conversations and with innovative, collaborative research methods we are rethinking the parameters of ethnography at the intersection of society, culture, religion, gender, and the arts in Indonesia in the time of the corona pandemic.
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