1967年4月

J. Obrecht
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引用次数: 0

摘要

在为期一个月的、被大肆宣传的沃克兄弟英国巡演中,“体验”乐队乘坐公共汽车旅行,并与“引文”乐队、“加利福尼亚人”乐队、凯特·史蒂文斯乐队和恩格尔伯特·亨珀丁克乐队在一张不匹配的门票上演出。在演出间隙,他们穿梭于伦敦录制《智利公路》、《愿这是爱》、《爱还是困惑》、《你有经验吗?》,以及亨德里克斯其他经久不衰的原创作品。在这个过程中,吉米和工程师埃迪·克莱默和罗杰·梅尔开创了新的声音记录。当乐队在利物浦演出时,这种体验让人想起了披头士狂热。在采访中,吉米透露,舞台管理人员和剧院经理,宣称乐队“淫秽和庸俗”,故意破坏他们的表演。根据乐队的外表,一些酒店拒绝兑现他们的预订。查斯·钱德勒打破传统,在《紫雾》仍在排行榜上攀升之际,急着发行《风在哭泣玛丽》。
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April 1967
During the month-long, much ballyhooed Walker Brothers U.K. tour, the Experience travel by bus and play theatres on a mismatched bill with the Quotations, the Californians, Cat Stevens, and Engelbert Humperdinck. Between shows, they shuttle back to London to record “Highway Chile,” “May This Be Love,” “Love or Confusion,” “Are You Experienced?,” and other enduring Hendrix originals. In the process, Jimi and engineers Eddie Kramer and Roger Mayer pioneer new sounds on record. By the time the band plays Liverpool, the Experience are greeted with pandemonium reminiscent of Beatlemania. In interviews, Jimi reveals that stagehands and theatre managers, declaring the band “obscene and vulgar,” are intentionally sabotaging their performances. Based on the band’s appearance, some hotels refuse to honour their reservations. Chas Chandler bucks tradition by rushing to release “The Wind Cries Mary” as “Purple Haze” is still climbing the charts.
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Setting the Stage September 1966 November 1966 March 1967 May 1967
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