Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0010
J. Obrecht
On May 1, Reprise Records issues the Jimi Hendrix Experience’s debut single in the U.S. During a series of interviews, Jimi addresses the racism he experienced during the Walker Brothers tour and the egregious minstrel-derived images conservative British journalists apply to him. Jet magazine, America’s “Weekly Negro News Magazine,” begins covering Jimi’s success abroad. In studio sessions, the Experience record “She’s So Fine,” “Taking Care of Business,” “Look Over Yonder,” “If 6 Was 9,” and portions of “Burning of the Midnight Lamp.” At the Saville, the band plays a triumphant set to a star-studded audience. Mid-month, Track Records releases Are You Experienced, the most revolutionary album in rock history, to rave reviews. The band spends the second half of the month on a European tour that takes them to West Germany, Sweden, Denmark, and Finland. Despite the chart-climbing record releases, intensive press coverage, and ever-expanding audiences, Jimi, Mitch, and Noel can barely survive on the small stipend they’re being paid, which leads them to a showdown with management at month’s end.
5月1日，Reprise唱片公司在美国发行了吉米·亨德里克斯的首张单曲。在一系列采访中，吉米讲述了他在沃克兄弟巡演中经历的种族主义，以及保守的英国记者对他的过分的吟游诗人形象。Jet杂志，美国的“每周黑人新闻杂志”开始报道吉米在国外的成功。在录音室里，Experience乐队录制了《She 's So Fine》、《Taking Care of Business》、《Look Over Yonder》、《If 6 Was 9》和《Burning of the Midnight Lamp》的部分内容。在萨维尔，乐队为星光熠熠的观众演奏了一曲胜利的乐曲。月中旬，Track Records发行了摇滚史上最具革命性的专辑《Are You Experienced》，好评如潮。乐队将于本月下半月进行欧洲巡演，他们将前往西德、瑞典、丹麦和芬兰。尽管唱片销量节节攀升，媒体报道铺天盖地，观众也越来越多，但吉米、米奇和诺埃尔还是只能靠微薄的薪水勉强维持生计，这导致他们在月底与管理层摊牌。
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Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0002
J. Obrecht
On September 24, 1966, Jimi Hendrix arrives in London, immediately begins a romantic relationship with Kathy Etchingham, experiences racism due to the color of his skin and gender-bending clothing, and wows fans of the British “blues boom” by performing with American bluesmen in town for the American Folk Blues Festival. At another club performance he stuns attendees with his unprecedented volume and skill at playing an “upside-down” Fender Stratocaster. This draws the attention of French superstar Johnny Hallyday, who invites Hendrix, who has yet to form a band, to open for him during his upcoming tour of France. By month’s end Hendrix has recruited Noel Redding as the first member of the Jimi Hendrix Experience. Redding, a guitarist, agrees to learn how to play bass.
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Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0004
J. Obrecht
On November 2, 1966, the Experience record Jimi’s newly composed “Stone Free” during a single session at De Lane Lea Studios. Chas Chandler arranges a record deal with Track Records and Jimi begins work on his ambitious “Third Stone from the Sun,” inspired by his love of science fiction. Chandler, Jimi’s father James “Al” Hendrix, and best friend Billy Cox describe his extraordinary all-day, every-day dedication to the guitar. Kathy Etchingham details their home life together and forays around London. During a tour of Germany, Jimi accidentally smashes a guitar and discovers “demolition feedback.” The Experience’s London afternoon showcase at the Bag O’Nails is attended by Jimmy Page, Eric Clapton, members of the Beatles and Rolling Stones, and leading British music journalists, whose write-ups contribute to Jimi’s rapid ascent to fame. Meanwhile, his unprecedented guitarmanship and sexually-suggestive stage moves frighten The Who’s Pete Townshend and other leading British guitar icons.
1966年11月2日，Experience乐队在De Lane Lea录音室录制了吉米新创作的《Stone Free》。查斯·钱德勒(Chas Chandler)与Track Records签订了唱片合约，吉米(Jimi)开始创作他雄心勃勃的《来自太阳的第三块石头》(Third Stone from the Sun)，灵感来自他对科幻小说的热爱。钱德勒、吉米的父亲詹姆斯·“艾尔”·亨德里克斯和最好的朋友比利·考克斯描述了吉米对吉他的全天候奉献。凯西·艾钦厄姆详细介绍了他们的家庭生活和在伦敦的游历。在一次德国巡演中，吉米不小心打碎了一把吉他，发现了“爆破反馈”。The Experience在伦敦Bag O 'Nails的下午演出有吉米·佩奇(Jimmy Page)、埃里克·克莱普顿(Eric Clapton)、披头士(Beatles)和滚石乐队(Rolling Stones)的成员，以及英国主要的音乐记者参加，他们的报道有助于吉米迅速成名。与此同时，他前所未有的吉他技巧和性暗示的舞台动作吓坏了谁人乐队的皮特·汤森和其他主要的英国吉他偶像。
{"title":"November 1966","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0004","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0004","url":null,"abstract":"On November 2, 1966, the Experience record Jimi’s newly composed “Stone Free” during a single session at De Lane Lea Studios. Chas Chandler arranges a record deal with Track Records and Jimi begins work on his ambitious “Third Stone from the Sun,” inspired by his love of science fiction. Chandler, Jimi’s father James “Al” Hendrix, and best friend Billy Cox describe his extraordinary all-day, every-day dedication to the guitar. Kathy Etchingham details their home life together and forays around London. During a tour of Germany, Jimi accidentally smashes a guitar and discovers “demolition feedback.” The Experience’s London afternoon showcase at the Bag O’Nails is attended by Jimmy Page, Eric Clapton, members of the Beatles and Rolling Stones, and leading British music journalists, whose write-ups contribute to Jimi’s rapid ascent to fame. Meanwhile, his unprecedented guitarmanship and sexually-suggestive stage moves frighten The Who’s Pete Townshend and other leading British guitar icons.","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115737637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0001
J. Obrecht
This detailed account of James Marshall Hendrix’s life before he transformed into “Jimi” Hendrix covers his hardscrabble childhood in Seattle, his early musical inspirations, first instruments and bands, and stint in the U.S. Army. Following his discharge, Hendrix embarks on his professional career, playing the chitlin circuit and making his first recordings as a studio musician. He then lands in New York City, where he lives in abject poverty until his “discovery” by Linda Keith and Bryan “Chas” Chandler. Chandler sees him perform “Hey Joe” and Bob Dylan’s “Like a Rolling Stone” in a Greenwich Village club and arranges his passage to London. In a move that will come back to haunt him, Hendrix agrees to let Chandler and Michael Jeffery manage his career.
这本书详细描述了詹姆斯·马歇尔·亨德里克斯在变成“吉米”·亨德里克斯之前的生活，包括他在西雅图的艰苦童年，他早期的音乐灵感，第一批乐器和乐队，以及在美国军队的服役。出院后，亨德里克斯开始了他的职业生涯，演奏猪肠巡回演出，并作为录音室音乐家录制了他的第一张唱片。然后他降落在纽约市，在那里他过着赤贫的生活，直到他被琳达·基思和布莱恩·“查斯”·钱德勒“发现”。钱德勒在格林威治村的一家俱乐部看到他表演《Hey Joe》和鲍勃·迪伦的《Like a Rolling Stone》，并安排他去伦敦。亨德里克斯同意让钱德勒和迈克尔·杰弗瑞管理他的职业生涯，这一举动后来会困扰他。
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Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0009
J. Obrecht
During the month-long, much ballyhooed Walker Brothers U.K. tour, the Experience travel by bus and play theatres on a mismatched bill with the Quotations, the Californians, Cat Stevens, and Engelbert Humperdinck. Between shows, they shuttle back to London to record “Highway Chile,” “May This Be Love,” “Love or Confusion,” “Are You Experienced?,” and other enduring Hendrix originals. In the process, Jimi and engineers Eddie Kramer and Roger Mayer pioneer new sounds on record. By the time the band plays Liverpool, the Experience are greeted with pandemonium reminiscent of Beatlemania. In interviews, Jimi reveals that stagehands and theatre managers, declaring the band “obscene and vulgar,” are intentionally sabotaging their performances. Based on the band’s appearance, some hotels refuse to honour their reservations. Chas Chandler bucks tradition by rushing to release “The Wind Cries Mary” as “Purple Haze” is still climbing the charts.
{"title":"April 1967","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0009","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0009","url":null,"abstract":"During the month-long, much ballyhooed Walker Brothers U.K. tour, the Experience travel by bus and play theatres on a mismatched bill with the Quotations, the Californians, Cat Stevens, and Engelbert Humperdinck. Between shows, they shuttle back to London to record “Highway Chile,” “May This Be Love,” “Love or Confusion,” “Are You Experienced?,” and other enduring Hendrix originals. In the process, Jimi and engineers Eddie Kramer and Roger Mayer pioneer new sounds on record. By the time the band plays Liverpool, the Experience are greeted with pandemonium reminiscent of Beatlemania. In interviews, Jimi reveals that stagehands and theatre managers, declaring the band “obscene and vulgar,” are intentionally sabotaging their performances. Based on the band’s appearance, some hotels refuse to honour their reservations. Chas Chandler bucks tradition by rushing to release “The Wind Cries Mary” as “Purple Haze” is still climbing the charts.","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133342817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0011
J. Obrecht
With his debut album rapidly ascending the British record charts, Jimi gives a series of revealing interviews in advance of the Experience’s much-anticipated final U.K. show at the Saville Theatre. During this performance, the band stuns Paul McCartney by opening with a cover of the Beatles’ just-released Sgt. Pepper’s Lonely Hearts Club Band. After a series of photoshoots, the Experience flies to New York City in advance of their performance at the Monterey International Pop Festival. Jimi revisits the New York City haunts he’d left behind just nine month earlier. Upon their arrival in Monterey, California, Jimi hand-paints the Stratocaster he’ll use to climax their set. The weekend-long Monterey festival presents a wide array of rock talent and climaxes with the sets by The Who and Jimi Hendrix. Jimi stuns the audience, most of whom have never heard of him, with his charismatic personality and unprecedented approach to performing. He ends the Experience’s set by burning his guitar amid a roaring cacophony of feedback. As Joel Selvin sagely noted, Jimi Hendrix “walked onstage a nobody and walked off a major star, ready to rewrite the language of the guitar.”
{"title":"June 1967","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0011","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0011","url":null,"abstract":"With his debut album rapidly ascending the British record charts, Jimi gives a series of revealing interviews in advance of the Experience’s much-anticipated final U.K. show at the Saville Theatre. During this performance, the band stuns Paul McCartney by opening with a cover of the Beatles’ just-released Sgt. Pepper’s Lonely Hearts Club Band. After a series of photoshoots, the Experience flies to New York City in advance of their performance at the Monterey International Pop Festival. Jimi revisits the New York City haunts he’d left behind just nine month earlier. Upon their arrival in Monterey, California, Jimi hand-paints the Stratocaster he’ll use to climax their set. The weekend-long Monterey festival presents a wide array of rock talent and climaxes with the sets by The Who and Jimi Hendrix. Jimi stuns the audience, most of whom have never heard of him, with his charismatic personality and unprecedented approach to performing. He ends the Experience’s set by burning his guitar amid a roaring cacophony of feedback. As Joel Selvin sagely noted, Jimi Hendrix “walked onstage a nobody and walked off a major star, ready to rewrite the language of the guitar.”","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132797027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0003
J. Obrecht
Jimi Hendrix rapidly establishes his presence in Britain’s burgeoning musical scene by “head-cutting” a stunned Eric Clapton during an onstage jam session with Cream. Drummer Mitch Mitchell agrees to join the Experience, and the trio begin rehearsals; this section includes details about the musician’s guitars, basses, strings, picks, effects devices, and Marshall amplification. Prior to embarking on the Experience’s first tour, Hendrix signs the first of several exploitive contracts with Michael Jeffery. During their tour of France, the musicians share hashish, Captagon, and other drugs and earn mixed – and sometimes racist -- reviews in French newspapers. After their triumphant appearance at the Paris Olympia, they return to London and record their first single, “Hey Joe.” In search of a song to put on the 45’s flip-side, Jimi begins songwriting in earnest.
{"title":"October 1966","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0003","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0003","url":null,"abstract":"Jimi Hendrix rapidly establishes his presence in Britain’s burgeoning musical scene by “head-cutting” a stunned Eric Clapton during an onstage jam session with Cream. Drummer Mitch Mitchell agrees to join the Experience, and the trio begin rehearsals; this section includes details about the musician’s guitars, basses, strings, picks, effects devices, and Marshall amplification. Prior to embarking on the Experience’s first tour, Hendrix signs the first of several exploitive contracts with Michael Jeffery. During their tour of France, the musicians share hashish, Captagon, and other drugs and earn mixed – and sometimes racist -- reviews in French newspapers. After their triumphant appearance at the Paris Olympia, they return to London and record their first single, “Hey Joe.” In search of a song to put on the 45’s flip-side, Jimi begins songwriting in earnest.","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131696977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0008
J. Obrecht
As the month begins, the Jimi Hendrix Experience begins to get press coverage in the U.S. and make unforgettable television appearances on Beat-Club and, during the first of two European tours this month, on the Belgian show Vibrato. In a series of interviews, Hendrix addresses his stressful childhood, love for blues music, and dislike of the “ordinary.” Sting recalls the Experience’s performance in Yorkshire as “the first time I’d ever seen a black man.” With the release of the “Purple Haze”/“51st Anniversary” single, the band embarks on tour of Germany, while Michael Jeffery secures them an American deal with Reprise Records. In studio sessions, the Experience record “Manic Depression” and other tracks. On the opening night of the Walker Brothers tour, Jimi Hendrix upstages the other acts by burning a guitar onstage for the first time, nearly setting the Finsbury Park Astoria ablaze. As the Walker Brothers tour progresses, Jimi’s onstage antics become front-page news.
本月初，吉米·亨德里克斯的“吉米·亨德里克斯体验”开始在美国得到媒体的报道，并在《Beat-Club》上令人难忘的电视露面。本月，他还在比利时节目《颤音》(Vibrato)上进行了两次欧洲巡演。在一系列采访中，亨德里克斯讲述了他充满压力的童年，对布鲁斯音乐的热爱，以及对“平凡”的厌恶。斯汀回忆说，在约克郡的演出是“我第一次看到黑人”。随着单曲《Purple Haze》/《51周年纪念》的发行，乐队开始了德国巡演，迈克尔·杰弗瑞(Michael Jeffery)为他们与Reprise唱片公司签订了美国合同。在录音室里，经验录制了“躁狂抑郁症”和其他曲目。在沃克兄弟巡演的开幕之夜，吉米·亨德里克斯(Jimi Hendrix)第一次在舞台上烧了一把吉他，几乎把芬斯伯里公园(Finsbury Park Astoria)烧了起来，抢了其他表演者的风头。随着沃克兄弟巡演的进行，吉米在舞台上的滑稽动作成为了头版新闻。
{"title":"March 1967","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0008","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0008","url":null,"abstract":"As the month begins, the Jimi Hendrix Experience begins to get press coverage in the U.S. and make unforgettable television appearances on Beat-Club and, during the first of two European tours this month, on the Belgian show Vibrato. In a series of interviews, Hendrix addresses his stressful childhood, love for blues music, and dislike of the “ordinary.” Sting recalls the Experience’s performance in Yorkshire as “the first time I’d ever seen a black man.” With the release of the “Purple Haze”/“51st Anniversary” single, the band embarks on tour of Germany, while Michael Jeffery secures them an American deal with Reprise Records. In studio sessions, the Experience record “Manic Depression” and other tracks. On the opening night of the Walker Brothers tour, Jimi Hendrix upstages the other acts by burning a guitar onstage for the first time, nearly setting the Finsbury Park Astoria ablaze. As the Walker Brothers tour progresses, Jimi’s onstage antics become front-page news.","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122734163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0006
J. Obrecht
Jimi’s onstage antics bring him widespread coverage and interview opportunities in Record Mirror, New Musical Express (NME), Disc and Music Echo, and other British music magazines. The band tours extensively outside of London and gains further exposure through their records being played by pirate radio stations and Radio Luxemburg. A row about Kathy Etchingham’s cooking inspires Jimi to compose “The Wind Cries Mary,” which the band records in a single session the following day. As the month progresses, the Experience record “Purple Haze,” “51st Anniversary,” “Fire.” A who’s-who of British rock musicians – the Beatles, Rolling Stones, Eric Clapton, Marianne Faithfull, and Donovan among them – regularly attend the Experience’s London performances. Staid British publications begin refering to Jimi with the racist term “Wild Man of Borneo.” In a series of interviews, some fuelled by his consumption of LSD, Jimi discuss his life, songwriting techniques, fears, loves, and spiritual beliefs. At month’s end, the Experience are filmed at the Saville Theatre.
吉米在舞台上的滑稽表演为他带来了广泛的报道和采访机会，包括Record Mirror, New Musical Express (NME)， Disc and Music Echo以及其他英国音乐杂志。乐队在伦敦以外进行了广泛的巡演，并通过海盗电台和卢森堡电台播放他们的唱片而获得了进一步的曝光。一场关于凯西·艾钦厄姆烹饪的争吵激发了吉米创作《风在哭泣玛丽》(The Wind crying Mary)的灵感，乐队在第二天录制了这首歌。随着月份的进展，体验录了《紫雾》、《51周年》、《火》。著名的英国摇滚音乐家——披头士乐队、滚石乐队、埃里克·克莱普顿、玛丽安·费斯福和多诺万——定期参加“体验”在伦敦的演出。古板的英国出版物开始用种族主义术语“婆罗洲野人”来称呼吉米。在一系列的采访中，吉米讨论了他的生活、歌曲创作技巧、恐惧、爱和精神信仰，其中一些采访是由他服用LSD引起的。月底，《体验》在萨维尔剧院拍摄。
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Pub Date : 2018-11-12DOI: 10.5149/northcarolina/9781469647067.003.0005
J. Obrecht
Jimi deepens his entanglement with manager Michael Jeffery by signing another ill-advised contract, and moves with Chas Chandler and Kathy Etchingham into an apartment owned by Ringo Starr. He begins assembling a wide-ranging collection of albums, including many by favourite blues artists Muddy Waters, John Lee Hooker, and Elmore James. After a visit with his former bandleader, Little Richard, Hendrix is accosted by the London police due to his skin color and clothing choices. The Jimi Hendrix Experience make their television debut on Ready Steady Go!, and record “Foxey Lady,” “Can You See Me,” “Love or Confusion,” “Red House,” and other original Hendrix compositions. The band’s first single, “Hey Joe” backed with “Stone Free,” is released to rave reviews. Then, while waiting backstage to perform at a Boxing Day matinee, Jimi composes “Purple Haze,” drawing inspiration from a Philip José Farmer science fiction short story. He rings in the new year with Noel Redding’s family.
吉米加深了他与经理迈克尔·杰弗瑞的纠缠，又签了一份不明智的合同，并与查斯·钱德勒和凯西·埃奇厄姆一起搬进了林戈·斯塔尔拥有的公寓。他开始收集各种各样的专辑，包括许多最喜欢的布鲁斯艺术家Muddy Waters, John Lee Hooker和Elmore James的作品。在拜访了他的前乐队领队小理查德之后，亨德里克斯因为他的肤色和着装选择而被伦敦警察搭讪。吉米·亨德里克斯的经验使他们的电视首次亮相准备稳步前进!并录制了《Foxey Lady》、《Can You See Me》、《Love or Confusion》、《Red House》等亨德里克斯原创作品。乐队的第一首单曲《Hey Joe》以《Stone Free》为背景发行，获得了好评如潮。然后，在等待节礼日(Boxing Day)日场演出的后台，吉米创作了《紫雾》(Purple Haze)，灵感来自菲利普·约瑟·法默(Philip josanger Farmer)的科幻短篇小说。他和诺埃尔·雷丁一家一起迎接新年。
{"title":"December 1966","authors":"J. Obrecht","doi":"10.5149/northcarolina/9781469647067.003.0005","DOIUrl":"https://doi.org/10.5149/northcarolina/9781469647067.003.0005","url":null,"abstract":"Jimi deepens his entanglement with manager Michael Jeffery by signing another ill-advised contract, and moves with Chas Chandler and Kathy Etchingham into an apartment owned by Ringo Starr. He begins assembling a wide-ranging collection of albums, including many by favourite blues artists Muddy Waters, John Lee Hooker, and Elmore James. After a visit with his former bandleader, Little Richard, Hendrix is accosted by the London police due to his skin color and clothing choices. The Jimi Hendrix Experience make their television debut on Ready Steady Go!, and record “Foxey Lady,” “Can You See Me,” “Love or Confusion,” “Red House,” and other original Hendrix compositions. The band’s first single, “Hey Joe” backed with “Stone Free,” is released to rave reviews. Then, while waiting backstage to perform at a Boxing Day matinee, Jimi composes “Purple Haze,” drawing inspiration from a Philip José Farmer science fiction short story. He rings in the new year with Noel Redding’s family.","PeriodicalId":114802,"journal":{"name":"Stone Free","volume":"90 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-11-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128710665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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