巴西诗歌和理论文本选集,作者奥古斯托·德·坎波斯、哈罗德·德·坎波斯和德西奥·皮纳塔里

A. Romanelli
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引用次数: 0

摘要

鉴于目前关于文本审美信息的本质和功能与视觉维度的关系的争论,这本选集由巴西具体诗歌团体和期刊Noigandres的三位创始人的理论和创造性文本组成。塞尔吉奥·罗曼内利、西尔瓦娜·德·加斯帕里、帕特里夏·彼得勒和安德里亚·桑图尔巴诺的翻译首次让意大利读者有机会阅读从20世纪50年代到现在的四篇葡萄牙语文本,这些文本收录在《具体的诗歌:文本批评和宣言》(1965年)中,其中包括Decio Pignatari关于具体艺术的一篇短文(arte concreta: objjeto e objetivo)和一篇关于诗歌功能的声明(depoimento);奥古斯托·德·坎波斯对具体诗歌具体领域的有用定义最后是哈罗多·德·坎波斯非凡的创造性诗歌宣言olho por olho a olho nu(宣言)。
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Antologia di poesie e testi teorici brasiliani, con scritti di Augusto de Campos, Haroldo de Campos e Décio Pignatari
In the light of the current debate concerning the nature and function of textual aesthetic information in its relationship with the visual dimension, this anthology consists of theoretical and creative texts by the three founders of the Brazilian concrete poetry group and periodical known as Noigandres . The translations by Sergio Romanelli, Silvana de Gaspari, Patricia Peterle and Andrea Santurbano for the first time give Italian readers the opportunity of reading four texts dating from the 1950s up to the present available in Portuguese in the collection Teoria da poesia concreta: textos criticos e manifestos (1965), consisting of a short essay by Decio Pignatari dealing with concrete art ( arte concreta: objeto e objetivo ) and a statement ( depoimento ) on the function of poetry; a useful definition of the specific domain of concrete poetry ( Poesia concreta ) by Augusto de Campos and finally the extraordinary creative poetic manifesto: olho por olho a olho nu (manifesto) by Haroldo de Campos.
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