达到顶峰是谁?克里斯·克劳斯的写作表演:21世纪写作文化的个案研究

Anneleen Masschelein
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摘要

近年来,克里斯·克劳斯(Chris Kraus)的作品已经从前卫艺术圈子进入主流文学。她将自己的故事与更广泛的知识和政治背景联系起来的自我反思立场和策略,让人想起了盎格鲁-撒克逊创意写作领域的某些趋势,但它们首先标志着她的作品是一种艺术研究和表演。克劳斯同时将写作作为一种持续的实践来进行,同时将作家作为一个拟像来揭示。在这样做的过程中,她对20世纪末男性主导的资本主义艺术和理论世界提出了强烈的批评,但也为另一种复杂、碎片化、迷人的女性主体性提供了一种模式。
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Who’s Peaked? Chris Kraus’s Writing Performances as a Case Study for Twenty-First Century Writing Culture
: In recent years, the work of Chris Kraus has crossed over from an avant-garde art circuit into mainstream literature. The self-reflexive stance and the strategies that she deploys to relate her own story to a broader intellectual and political context are reminiscent of certain tendencies in the Anglo-Saxon field of creative writing, but they mark her work first and foremost as an artistic research and performance. Kraus at the same time performs writing as an ongoing practice while revealing the writer as a simulacrum. In so doing, she formulates a strong critique of the male-dominated, capitalist worlds of art and theory at the end of the 20th century but also offers a model for an alternative female subjectivity that is complex, fragmented, and fascinating.
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