十字路口的美国:简介

G. Lipsitz, Jonathan Munby
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引用次数: 2

摘要

当前社会和文化转型的时刻要求我们发展跨国和后国家的认识方式。现在回过头来看,工业化、民族主义和冷战不仅是历史事件,也是认识论和本体论。他们把我们的注意力引向对民族身份和民族文化的研究。他们鼓励我们从公民和国家的角度来定义政治。它们引导我们寻求普遍性、统一性和同一性,作为社会正义的先决条件。然而,我们在后工业时代、后民族主义时代和后冷战时代的经历,不断地让我们面对不能局限于任何一个地方的文化习俗,面对超越公民对国家要求的政治项目,以及依赖于局部、视角和差异意识的社会正义斗争。我们会遇到意想不到的盟友和敌人;我们的政治和文化项目是通过认同和隶属的原则进行的,而不是通过认同和联盟。本期《文化价值》特刊汇集了来自美国和英国的学者,探讨新世纪伊始美国的国家认同本质。它们呈现出一幅综合的画面:跨文化冲突和创造力,时间和空间的压缩,新身份的迅速出现和旧身份的幽灵般的回归。美国的当代文化生产并没有抹去关于国家身份、公民身份和主体性的旧叙述,而是根据新兴的理解、思想和身份将它们重新置于语境中。它们强调了当前矛盾的过程,使我们同样不可能接受或逃避我们所居住的国家身份,而是使我们有必要形成新的认识方式。作为当今时代特征的人员和产品在全球范围内的快速流动几乎影响了当代文化和政治的各个方面。新的生产和分配模式、新的通信技术以及私人和公共权力的新组合的出现,打破了将文化与地域联系起来的传统假设。在今天的美国,移民、贸易、投资和军事干预的新模式影响着一切,从婴儿的国籍起源
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America at the crossroads: An introduction
The present moment of social and cultural transformation requires us to develop trans-national and post-national ways of knowing. We now see in retrospect that industrialization, nationalism, and the Cold War were not just historical events, but also epistemologies and ontologies. They directed our attention toward investigations of national identities and national cultures. They encouraged us to define politics in terms of citizenship and the state. They led us to look for universality, uniformity, and sameness as preconditions for social justice. Yet our experiences in the post-industrial, post-nationalist, and post-Cold War eras confront us continuously with cultural practices that cannot be pinned down to any one place, with political projects that go beyond demands by citizens on states, and by struggles for social justice that rely on partial, perspectival, and differential consciousness. We encounter unexpected allies and enemies; our political and cultural projects proceed through principles of identification and affiliation, rather than through identicality and coalition. This special issue of Cultural Values brings together scholars from the U. S. and the U. K. to explore the nature of national identity in the U. S. at the start of a new century. They present a composite picture of intercultural conflict and creativity, of the seeming compression of time and space, of the rapid emergence of new identities and the ghostly return of old ones. Contemporary cultural production in the U. S. does not erase older narratives of national identity, citizenship, and subjectivity, but rather recontextualizes them in light of emerging understandings, ideas, and identities. They underscore the contradictory processes at the present time that make it equally impossible for us to either embrace or to evade the national identities that we inhabit, but instead make it necessary for us to fashion new ways of knowing. The rapid movement across the globe of people and products that characterizes the present era influences nearly every aspect of contemporary culture and politics. Traditional assumptions linking culture to place have been disrupted by the emergence of new modes of production and distribution, new communications technologies, and new alignments of private and public power. In the United States today, emerging patterns of migration, trade, investment, and military intervention affect everything from the national origins of babies
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