{"title":"j·巴恩斯小说中的超文本表现:十章半的世界史","authors":"Anna Shlipatska","doi":"10.56724/ladu.v1i4.50","DOIUrl":null,"url":null,"abstract":"Background: The 21st century is marked by a drastic development of computer technology, which caused the growing interest in the hypertext. Despite the fact that it is mainly associated with the informational technology, the hypertext has also been a center of cross-disciplinary researches, as well as in the field of text linguistics. \nPurpose: Hence, the present article deals with the hypertextuality phenomenon in the emotive prose. \nDesign and methods: By implementing the methods of comparative, structural, contextual, and intertextual analysis, the compositional and linguistic means of its representation are investigated on the basis of the novel by J. Barnes A History of the World in 10 ½ Chapters. \nResults: Julian Barnes is one of the most popular contemporary British writers. He is considered a postmodernism icon, whereas an American writer and critic J. C. Oates calls him a “pre-postmodernist”. He is an author to more than 20 novels. A History of the World in 10 ½ Chapters (1989) is a novel where the author experimented with a form. The book consists of ten novellas and Parenthesis. As far as the novel is considered an icon of postmodernistic literature, the revelation of a hypertext system there makes it possible to claim hypertextuality a distinctive marker of a postmodernistic perception of the world.","PeriodicalId":168226,"journal":{"name":"LADU: Journal of Languages and Education","volume":"103 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Hypertextuality representation in a novel of J. Barnes: a history of the world in 10½ chapters\",\"authors\":\"Anna Shlipatska\",\"doi\":\"10.56724/ladu.v1i4.50\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Background: The 21st century is marked by a drastic development of computer technology, which caused the growing interest in the hypertext. Despite the fact that it is mainly associated with the informational technology, the hypertext has also been a center of cross-disciplinary researches, as well as in the field of text linguistics. \\nPurpose: Hence, the present article deals with the hypertextuality phenomenon in the emotive prose. \\nDesign and methods: By implementing the methods of comparative, structural, contextual, and intertextual analysis, the compositional and linguistic means of its representation are investigated on the basis of the novel by J. Barnes A History of the World in 10 ½ Chapters. \\nResults: Julian Barnes is one of the most popular contemporary British writers. He is considered a postmodernism icon, whereas an American writer and critic J. C. Oates calls him a “pre-postmodernist”. He is an author to more than 20 novels. A History of the World in 10 ½ Chapters (1989) is a novel where the author experimented with a form. The book consists of ten novellas and Parenthesis. As far as the novel is considered an icon of postmodernistic literature, the revelation of a hypertext system there makes it possible to claim hypertextuality a distinctive marker of a postmodernistic perception of the world.\",\"PeriodicalId\":168226,\"journal\":{\"name\":\"LADU: Journal of Languages and Education\",\"volume\":\"103 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LADU: Journal of Languages and Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.56724/ladu.v1i4.50\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LADU: Journal of Languages and Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.56724/ladu.v1i4.50","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Hypertextuality representation in a novel of J. Barnes: a history of the world in 10½ chapters
Background: The 21st century is marked by a drastic development of computer technology, which caused the growing interest in the hypertext. Despite the fact that it is mainly associated with the informational technology, the hypertext has also been a center of cross-disciplinary researches, as well as in the field of text linguistics.
Purpose: Hence, the present article deals with the hypertextuality phenomenon in the emotive prose.
Design and methods: By implementing the methods of comparative, structural, contextual, and intertextual analysis, the compositional and linguistic means of its representation are investigated on the basis of the novel by J. Barnes A History of the World in 10 ½ Chapters.
Results: Julian Barnes is one of the most popular contemporary British writers. He is considered a postmodernism icon, whereas an American writer and critic J. C. Oates calls him a “pre-postmodernist”. He is an author to more than 20 novels. A History of the World in 10 ½ Chapters (1989) is a novel where the author experimented with a form. The book consists of ten novellas and Parenthesis. As far as the novel is considered an icon of postmodernistic literature, the revelation of a hypertext system there makes it possible to claim hypertextuality a distinctive marker of a postmodernistic perception of the world.