{"title":"唤起我们目光的影像:与路易斯·奥斯皮纳和卡米洛·雷斯特雷波对话的片段","authors":"Carolina Sourdis, Luis Ospina, C. Restrepo","doi":"10.31009/cc.2019.v7.i13.06","DOIUrl":null,"url":null,"abstract":"In this conversation, Luis Ospina and Camilo Restrepo, two filmmakers who personify two periods in Colombian cinema and history, reflect on the presence of dead bodies in cinema and, particularly, of corpses as a filmic matter in their respective works and poetics. On the basis of a similar questionnaire carried out simultaneously with each filmmaker, the text brings together common and dissonant motifs to outline a possible generational arc of Colombian cinema in which the cinematographic representation of the corpse is presented as a historiographical and political motif in order to carry out an interpretation of cinema and history.","PeriodicalId":414949,"journal":{"name":"Comparative Cinema","volume":"3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Images to raise our gaze: Fragments from a conversation with Luis Ospina and Camilo Restrepo\",\"authors\":\"Carolina Sourdis, Luis Ospina, C. Restrepo\",\"doi\":\"10.31009/cc.2019.v7.i13.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this conversation, Luis Ospina and Camilo Restrepo, two filmmakers who personify two periods in Colombian cinema and history, reflect on the presence of dead bodies in cinema and, particularly, of corpses as a filmic matter in their respective works and poetics. On the basis of a similar questionnaire carried out simultaneously with each filmmaker, the text brings together common and dissonant motifs to outline a possible generational arc of Colombian cinema in which the cinematographic representation of the corpse is presented as a historiographical and political motif in order to carry out an interpretation of cinema and history.\",\"PeriodicalId\":414949,\"journal\":{\"name\":\"Comparative Cinema\",\"volume\":\"3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comparative Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31009/cc.2019.v7.i13.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comparative Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31009/cc.2019.v7.i13.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Images to raise our gaze: Fragments from a conversation with Luis Ospina and Camilo Restrepo
In this conversation, Luis Ospina and Camilo Restrepo, two filmmakers who personify two periods in Colombian cinema and history, reflect on the presence of dead bodies in cinema and, particularly, of corpses as a filmic matter in their respective works and poetics. On the basis of a similar questionnaire carried out simultaneously with each filmmaker, the text brings together common and dissonant motifs to outline a possible generational arc of Colombian cinema in which the cinematographic representation of the corpse is presented as a historiographical and political motif in order to carry out an interpretation of cinema and history.