《日出之前》,作者:佐先科先生:精神和个人意识的胜利

E. P. Aristova
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摘要

这篇文章探讨了著名的佐先科的作品《日出之前》。这个故事写于第二次世界大战期间,作者将其描述为反法西斯。故事的主题是他自己的“我”的形成,心理动机鼓励一个人同意痛苦和暴力或与之抗争。法西斯主义在作者的认知中是对残暴和残忍的彻底失败,是对与苦难作斗争的恐惧。佐先科把科学看作是证明意识的存在、战胜灵魂的非理性本质的光明希望。这个故事是战争和战后时代的一部分:作家和哲学家(H.阿伦特,J. P.萨特,K.波普尔和其他人)积极讨论极权主义政权的性质,支持他们的原因,个人感知在肯定他们中的作用,个人而不是集体定义善的可能性,理性为了普遍理性法则而摧毁个人的作用,同时鼓励个人主义和批判性思维。个人意识的作用问题是欧洲哲学的一个古老问题,在柏拉图主义和基督教的传统中有不同的回答。M. M.佐先科是一位注重个人经历的人文主义作家。为了证明意识的胜利可以是一种个人选择,他讨论了艺术创造力的作用,以及许多艺术天才经历中神经症的本质。Zoshchenko试图让他的故事清楚地展示,理性的胜利与个人艺术风格的真诚相结合的可能性,因此,个人选择有利于理性。
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«BEFORE SUNRISE» BY M. M. ZOSHCHENKO:THE TRIUMPH OF MIND AND INDIVIDUAL CONSCIOUSNESS
The article explores the famous work of M. M. Zoshchenko «Before Sunrise». The story, written during the World War II, is presented by the author as anti-fascist. The theme of the story is the formation of his own «I», psychological motives that encourage one to agree with suffering and violence or to fight them. Fascism in the perception of the author is a complete defeat in the fight against brutality and cruelty, a fear of fight with suffering. Zoshchenko refers to science as a bright hope to prove the existence of consciousness conquering the irrational nature of the soul. The story was a part of the war and post-war era: writers and philosophers (H. Arendt, J. P. Sartre, K. Popper and others) actively discussed the nature of totalitarian regimes, the reasons for their support, the role of personal perception in their affirmation, the possibility of individual rather than collective defining the good, the role of rationality destroying the individual for the sake of universal rational laws and at the same time encouraging individualism and critical thinking. The question of the role of individual consciousness is shown as one of the ancient questions of European philosophy, answered differently in the traditions of Platonism and Christianity. M. M. Zoshchenko is more a humanist writer who paid attention to the individual experience of a person. Trying to show that the triumph of consciousness can be a personal choice he discusses the role of artistic creativity, the nature of neurosis in experiences of many art geniuses. Zoshchenko is trying to make his story a clear demonstration of the possibility of combining the triumph of reason with the sincerity of personal artistic style and hence personal choice in favor of reason.
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