[关于管乐器演奏者的假体治疗疗法对乐器音质影响的实验研究]。

Stomatologie der DDR Pub Date : 1990-02-01
H Schönekerl
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引用次数: 0

摘要

在20名管乐器专业演奏者中(10名木管管乐器演奏者,10名铜管管乐器演奏者),研究了同时应用的假体治疗疗法(通过测量体模仿)与他们产生的乐器声音之间是否存在显著联系。用合适的窄带谱仪对声音的质量和数量进行了分析,并计算出了声音指数。通过这种方法,我们成功地演示了在上颚前三分之一的上颌骨板和铜管管乐器演奏者在上门牙区域的一个背景夹板的使用,以引起显着的声音变化。此外,通过在上颌三分之一的上颚中间放置一个板,音印象发生了显著的变化。因此,我们成功地指出了木管乐器和铜管乐器演奏者的假体关键区域。
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[Experimental examinations about the influence of prosthetic therapeutic remedies for players on a wind-instrument as to the quality of the instrumental sound].

In 20 professional players on a wind-instrument (10 musicians on wood wind-instruments, 10 ones on brass wind-instruments) the condition was examined if there are significant connections between the meanwhile applied prosthetic therapeutic remedies (imitated by measuring bodies) and the instrumental sound produced by them. The sound quality was analysed as to the quality as well as to the quantity by an appropriate narrow band spectrometer, and a sound index was figured out. By this method we succeeded in demonstrating the use of a maxillary plate in the anterior third of the palate and that one of back-ground splints in the upper front tooth region of players on brass wind-instruments to cause significant sound changes. Additionally, a significant change in sound impression was stated by placing a maxillary plate into the middle of the third of the palate. Thus we succeeded to point out the prosthetic-critical zones of players on a wood wind- and a brass wind-instrument.

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