{"title":"移民和移民之歌","authors":"David Menconi","doi":"10.5149/northcarolina/9781469659350.003.0015","DOIUrl":null,"url":null,"abstract":"As a crossroads state, North Carolina’s population has more than doubled since 1970. Musical immigrants move here for the same reasons as everyone else: quality of life, cost of living, scenery, inspiration. The influx includes everyone from jazz giant Branford Marsalis to electronic inventor Bob Moog. It runs two ways, however, with African-Americans fleeing the Jim Crow South for brighter futures up North -- Nina Simone, John Coltrane, and Thelonious Monk among them.","PeriodicalId":117645,"journal":{"name":"Step It Up and Go","volume":"28 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Songs of Immigrants and Emigrants\",\"authors\":\"David Menconi\",\"doi\":\"10.5149/northcarolina/9781469659350.003.0015\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"As a crossroads state, North Carolina’s population has more than doubled since 1970. Musical immigrants move here for the same reasons as everyone else: quality of life, cost of living, scenery, inspiration. The influx includes everyone from jazz giant Branford Marsalis to electronic inventor Bob Moog. It runs two ways, however, with African-Americans fleeing the Jim Crow South for brighter futures up North -- Nina Simone, John Coltrane, and Thelonious Monk among them.\",\"PeriodicalId\":117645,\"journal\":{\"name\":\"Step It Up and Go\",\"volume\":\"28 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-10-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Step It Up and Go\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469659350.003.0015\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Step It Up and Go","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469659350.003.0015","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
As a crossroads state, North Carolina’s population has more than doubled since 1970. Musical immigrants move here for the same reasons as everyone else: quality of life, cost of living, scenery, inspiration. The influx includes everyone from jazz giant Branford Marsalis to electronic inventor Bob Moog. It runs two ways, however, with African-Americans fleeing the Jim Crow South for brighter futures up North -- Nina Simone, John Coltrane, and Thelonious Monk among them.