{"title":"模仿名人","authors":"M. Merck","doi":"10.5040/9781911239819.ch-003","DOIUrl":null,"url":null,"abstract":"One of the most abiding anxieties about contemporary celebrity culture is that it encourages the emulation of impossible or unsuitable role models. While moralists on the right and left denounce the inculcation of false values, absurd ambition and political misjudgement supposedly caused by celebrity imitation, film scholars have defended the creativity in fans’ mimetic responses to the stars they admire. As Fannie Hurst’s 1933 novel Imitation of Life and its 1934 and 1959 film adaptations suggest, both the ontological and the ethical status of ‘imitation’ vary, putting into question any simple condemnation of the ‘imitation of life’.","PeriodicalId":358805,"journal":{"name":"The Imposter as Social Theory","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Imitations of Celebrity\",\"authors\":\"M. Merck\",\"doi\":\"10.5040/9781911239819.ch-003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"One of the most abiding anxieties about contemporary celebrity culture is that it encourages the emulation of impossible or unsuitable role models. While moralists on the right and left denounce the inculcation of false values, absurd ambition and political misjudgement supposedly caused by celebrity imitation, film scholars have defended the creativity in fans’ mimetic responses to the stars they admire. As Fannie Hurst’s 1933 novel Imitation of Life and its 1934 and 1959 film adaptations suggest, both the ontological and the ethical status of ‘imitation’ vary, putting into question any simple condemnation of the ‘imitation of life’.\",\"PeriodicalId\":358805,\"journal\":{\"name\":\"The Imposter as Social Theory\",\"volume\":\"39 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-05-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Imposter as Social Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781911239819.ch-003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Imposter as Social Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781911239819.ch-003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
One of the most abiding anxieties about contemporary celebrity culture is that it encourages the emulation of impossible or unsuitable role models. While moralists on the right and left denounce the inculcation of false values, absurd ambition and political misjudgement supposedly caused by celebrity imitation, film scholars have defended the creativity in fans’ mimetic responses to the stars they admire. As Fannie Hurst’s 1933 novel Imitation of Life and its 1934 and 1959 film adaptations suggest, both the ontological and the ethical status of ‘imitation’ vary, putting into question any simple condemnation of the ‘imitation of life’.
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