作为设计挑战的短暂性:意大利关于设计过程在城市非物质转型中的作用的激进叙事(1969-1974)

Elena Maria Formia, Valentina Gianfrate, Elena Vai
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引用次数: 0

摘要

考虑到当代危机、战争和移民所产生的深刻转变,设计文化通过整合物质、非物质价值和经验来解释变化和调解不同研究和行动领域的能力正变得越来越重要。因此,短暂的概念似乎是我们可以设计、影响、塑造、测试、实验和消费的唯一条件和维度,但也用来叙述设计之间的非线性关系——作为一种做、生产、调解、建立关系、预测的文化——以及城市和社会的变革。 因此,本文打算对设计介导的短暂性提出一种横向和包容性的解释,研究意大利以设计为中心的方法的叙述,将表演性和临时性表达视为设计的人工制品,对城市空间的发展产生影响,以及自发的倡议表达了潜在的创造力和文化过程。所考察的时期主要涵盖了20世纪60年代和70年代,在这个时期,学科边界之间的重叠,项目整体愿景的侵略性-提出了尺度之间的循环-以及抗议运动和激进主义的气候,带来了变革的需要。此外,设计、危机和可持续性之间的关系是一个横向主题,导致设计文化与不同形式的知识编织合作,并探索横向过程和方法。 围绕可持续性的设计话语继续受到欧洲景观三重转型的新实例的推动,在不断改进方法和实践的过程中,引入了新的工具,着眼于数字和新技术,通过各种学科交叉施肥,因为影响当代和未来社会变化的力量是很多的,有时是意想不到的。
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Transience as a design challenge: Italian radical narratives about the role of design processes in/for the incorporeal transformations of cities (1969-1974)
The capacity of design culture to interpret changes and mediate different fields of research and action by integrating material, immaterial values and experiences, is becoming increasingly relevant, considering the deep transformations generated by the contemporary crisis, wars and migrations. The concept of transience therefore appears to be the only condition and dimension we can design, influence, shape, test, experiment and consume, but also use to narrate the not-linear relationship between design ‒ as a culture of doing, producing, mediating, building relations, anticipating – and the transformations in cities and societies. This paper therefore intends to propose a transverse and inclusive interpretation of transience mediated by design, examining narratives of design-centred approaches in Italy, considering performative and temporary expressions as designed artefacts, with an influence on the development of urban spaces, and where spontaneous initiatives have been expression of latent processes of creativity and culture. The period under examination primarily covers the decades of 1960s and 1970s, a period in which the search for overlapping between disciplinary boundaries, the aggression of the overall vision of the project ‒ which proposes a circularity between scales ‒ and the climate of protest with movements and activism, brought with them the need for change. Moreover, the relationship between design, crisis and sustainability was a transversal theme that led design cultures to weave collaboration with different forms of knowledge and to explore transverse processes and methods. The design discourse around sustainability continues to be fueled by new instances of triple transition pervading the European landscape, in a process of continuous refinement of methods and practices that introduces new tools, with an eye to digital and new technologies, cross-fertilised by a variety of disciplines, because the forces conditioning change in contemporary and future societies are many and sometimes unexpected.
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