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引用次数: 0
摘要
这篇文章是对沃尔特·本雅明(Walter Benjamin)的《技术可复制时代的艺术作品》(The Work of Art in The Age of Its Technological Reproducibility)的改写，这是批评理论和媒体研究的经典文本。本文借用本雅明的句子、段落和文章结构，对当今跨媒体生产时代的艺术地位进行了一系列的理论反思。这篇文章试图为当代艺术理论做出贡献，这种理论超越了资本主义和日益法西斯主义的意识形态。就像本雅明的文章一样，这部作品是对构成我们当代时刻的矛盾进行辩证思考的努力，因此形成了社会主义美学。
The Work of Art in the Age of Transmedia Production (With Regards to Walter Benjamin)
This essay is a rewriting of Walter Benjamin’s “The Work of Art in the Age of Its Technological Reproducibility,” a classic text in critical theory and media studies. Appropriating Benjamin’s sentence, paragraph, and essay structures, the essay presents a series of theoretical reflections on the status of art during the current age of transmedia production. The essay seeks to contribute to a theory of contemporary art that moves beyond capitalist, and increasingly fascist, ideologies. As in Benjamin’s essay, this work is an effort to think dialectically about the contradictions that structure our contemporary moment, and therefore to formulate a socialist aesthetics.
期刊介绍：
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.
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