{"title":"同情谬误在塑造叙事同理心中的作用","authors":"Fransina Stradling, Kimberley Pager-McClymont","doi":"10.1515/jls-2023-2009","DOIUrl":null,"url":null,"abstract":"Abstract One way in which character emotion is communicated in texts is through pathetic fallacy (PF), a figure of speech that projects emotions onto surroundings, which can be conceptualised in terms of variations on the conceptual metaphor emotion is surroundings. This article explores the empathetic affordances of this emotion metaphor, presenting evidence for the ways readers exploit the linguistic forms of PF in Alice Walker’s short story The Flowers to empathise with its protagonist. We draw on think-aloud data and post-reading reflections to analyse evidence of PF perception and empathy, using Pager-McClymont’s protocol for analysing PF perception and Fernandez-Quintanilla’s framework for analysing self-report of empathy. Findings show that (1) PF’s implicit communication of emotions affords empathy even when readers do not recognise the narrative technique, and that (2) specific PF instantiations afford empathy depending on underlying conceptual metaphor, textual context and correspondence with readers’ experiential background.","PeriodicalId":42874,"journal":{"name":"JOURNAL OF LITERARY SEMANTICS","volume":"64 1","pages":"0"},"PeriodicalIF":0.3000,"publicationDate":"2023-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The role of pathetic fallacy in shaping narrative empathy\",\"authors\":\"Fransina Stradling, Kimberley Pager-McClymont\",\"doi\":\"10.1515/jls-2023-2009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract One way in which character emotion is communicated in texts is through pathetic fallacy (PF), a figure of speech that projects emotions onto surroundings, which can be conceptualised in terms of variations on the conceptual metaphor emotion is surroundings. This article explores the empathetic affordances of this emotion metaphor, presenting evidence for the ways readers exploit the linguistic forms of PF in Alice Walker’s short story The Flowers to empathise with its protagonist. We draw on think-aloud data and post-reading reflections to analyse evidence of PF perception and empathy, using Pager-McClymont’s protocol for analysing PF perception and Fernandez-Quintanilla’s framework for analysing self-report of empathy. Findings show that (1) PF’s implicit communication of emotions affords empathy even when readers do not recognise the narrative technique, and that (2) specific PF instantiations afford empathy depending on underlying conceptual metaphor, textual context and correspondence with readers’ experiential background.\",\"PeriodicalId\":42874,\"journal\":{\"name\":\"JOURNAL OF LITERARY SEMANTICS\",\"volume\":\"64 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JOURNAL OF LITERARY SEMANTICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/jls-2023-2009\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF LITERARY SEMANTICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/jls-2023-2009","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
The role of pathetic fallacy in shaping narrative empathy
Abstract One way in which character emotion is communicated in texts is through pathetic fallacy (PF), a figure of speech that projects emotions onto surroundings, which can be conceptualised in terms of variations on the conceptual metaphor emotion is surroundings. This article explores the empathetic affordances of this emotion metaphor, presenting evidence for the ways readers exploit the linguistic forms of PF in Alice Walker’s short story The Flowers to empathise with its protagonist. We draw on think-aloud data and post-reading reflections to analyse evidence of PF perception and empathy, using Pager-McClymont’s protocol for analysing PF perception and Fernandez-Quintanilla’s framework for analysing self-report of empathy. Findings show that (1) PF’s implicit communication of emotions affords empathy even when readers do not recognise the narrative technique, and that (2) specific PF instantiations afford empathy depending on underlying conceptual metaphor, textual context and correspondence with readers’ experiential background.
期刊介绍:
The aim of the Journal of Literary Semantics is to concentrate the endeavours of theoretical linguistics upon those texts traditionally classed as ‘literary’, in the belief that such texts are a central, not a peripheral, concern of linguistics. This journal, founded by Trevor Eaton in 1972 and edited by him for thirty years, has pioneered and encouraged research into the relations between linguistics and literature. It is widely read by theoretical and applied linguists, narratologists, poeticians, philosophers and psycholinguists. JLS publishes articles on all aspects of literary semantics. The ambit is inclusive rather than doctrinaire.