“她不离开我”:伊莎贝尔·埃伯哈特和leila sebbar给我父亲的信中的语言

Sage Goellner
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摘要

摘要:本文分析Leïla西巴尔对伊莎贝尔·埃伯哈特的兴趣和表现,伊莎贝尔·埃伯哈特作为一个想象的先驱,在西巴尔的文本中纵横交错,她拥有西巴尔自己的许多矛盾和愿望。本文探讨了西巴尔如何利用埃伯哈特的形象来探索她的法国-阿尔及利亚语言和文化身份。作者主要从三部作品《巴黎人的遗书》(1986年)、《伊莎贝尔·阿尔格·海格·萨梅恩》(1988年)和《我的遗书》(2021年)中得出结论,认为西巴尔把埃伯哈特描绘成一个讲法语和阿拉伯语的多语言者,这将西巴尔分裂的身份的两个方面联系在了一起。此外,西巴强调,两位女性都用法语写作和出版,这一事实强调了她们之间的强大联系。在这些作品中,埃伯哈特作为西巴尔的密码,仍然是西巴尔对身份,语言和和解的反思的试金石。
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"Elle ne me quitte pas": Isabelle Eberhardt and Language in Leïla Sebbar's Lettre à mon père
Abstract: This article analyzes Leïla Sebbar's interest in and representation of Isabelle Eberhardt, who crisscrosses Sebbar's texts as an imaginary precursor who possesses many of Sebbar's own contradictions and aspirations. This essay examines how Sebbar uses the figure of Eberhardt in exploration of her Franco-Algerian linguistic and cultural identity. Drawing principally from three works, Lettres parisiennes : autopsie d'un exil (1986), "Isabelle l'Algérien" (1988), and Lettre à mon père (2021), the author argues that Sebbar's depiction of Eberhardt as a multilingual French and Arabic speaker connects the two sides of Sebbar's divided identity. In addition, Sebbar's emphasis on the fact that both women write and publish in French underscores the powerful link between them. In these works, Eberhardt acts as a cipher for Sebbar and remains a touchstone of Sebbar's reflections upon identity, language, and reconciliation.
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