“有点淘气”:音乐剧《玛蒂尔达》的叙事和标识治疗过程

Pub Date : 2023-08-01 DOI:10.1386/smt_00120_1
Allan Kilner-Johnson
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引用次数: 0

摘要

自2010年首演以来,音乐剧《玛蒂尔达》已成为一种全球现象,在91个城市吸引了超过1100万人观看。在这部音乐剧中,玛蒂尔达对阅读和讲故事的热爱成为她面对父母和女校长特朗奇布尔的压迫力量的一种抵抗和赋权的手段,她明白了讲故事的行为可以帮助重塑现实。这篇文章表明,由维克多·弗兰克尔(Viktor Frankl)发展的心理疗法的一个分支——意义疗法(logotherapy),为分析和理解该剧的叙事、身份形成和反叛主题提供了一个有价值的框架。意义疗法强调对意义的探索是人类生活的关键动力,并认为创造力和叙事决定是实现和主张一个人在社会中的目的的基本工具。通过弗兰克尔的意义疗法对音乐剧《玛蒂尔达》的分析,为音乐剧提供了一个独特的视角,并为讲故事在治疗过程中的重要性开辟了新的见解。
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‘A little bit naughty’: Storytelling and the logotherapeutic process in Matilda the Musical
Since its debut in 2010, Matilda the Musical has become a worldwide phenomenon, seen by over 11 million people in 91 cities. In the musical, Matilda’s love of reading and storytelling serves as a means of resistance and empowerment in the face of the oppressive forces of her parents and headmistress Miss Trunchbull, and she learns that the act of telling stories can help reshape reality. This article demonstrates that logotherapy, a branch of psychotherapy developed by Viktor Frankl, provides a valuable framework for analysing and understanding the themes of storytelling, identity formation and rebellion in the show. Logotherapy emphasizes the search for meaning as the key impetus in human life, and considers creativity and narrative determination as essential tools for realizing and claiming one’s purpose in society. This analysis of Matilda the Musical through the lens of Frankl’s logotherapy offers a unique perspective on the musical and opens up new insights into the importance of storytelling in the therapeutic process.
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