《工厂女工的演说:埃伦·约翰斯顿与形式政治》

Shalmi Barman
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引用次数: 0

摘要

虽然爱伦·约翰斯顿是一位劳动阶级作家,一生都在工厂里工作,但她以“工厂女孩”自居的工厂颂歌作为政治诗歌却很少受到关注。然而,在《致J. J.先生工厂的信》中;斯科特&;约翰斯顿通过模仿颂诗和挽歌等抒情形式,有意识地操纵说话主体和说话对象之间的权力动态。重读约翰斯顿在一首关于苏格兰纺织厂的诗中使用的修辞撇号,作为政治上的策略,反对恢复工作中的选择偏见和规范多样化的努力,这些偏见预先决定了适用于少数民族作家的解释框架。
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The Factory Girl’s Address: Ellen Johnston and the Politics of Form
Abstract Although she was a laboring-class writer who worked in factories all her life, the factory odes of Ellen Johnston, the self-titled “Factory Girl,” have received little consideration as political poems. Yet in “Address to the Factory of Messrs. J. & W. I. Scott & Co.,” Johnston self-consciously manipulates the power dynamics between speaking subject and addressed other through imitation of lyric forms such as panegyric and elegy. Rereading Johnston’s use of rhetorical apostrophe in a poem to, and about, a Scottish textiles factory as politically strategic pushes back against the selection bias in recovery work and canon diversification efforts that predetermines the interpretive frames applied to minoritized writers.
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