“算法般的”:《深深的怀旧》中的计算复活和死者的动画

IF 4.5 1区 文学 Q1 COMMUNICATION New Media & Society Pub Date : 2023-11-10 DOI:10.1177/14614448231210268
Sara Kopelman, Paul Frosh
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引用次数: 0

摘要

当代人工智能和算法过程解决了深层次的存在挑战和欲望模式。在这样做的过程中,他们产生了想象的计算系统,一种“算法般的”,可以通过技术手段表达、转换和似乎克服存在的限制。这篇文章通过关注Deep Nostalgia来阐述“算法仿佛”的特点。Deep Nostalgia是一种在线工具,可以将死者的个人照片变成微笑、眨眼和移动的循环动画,承诺通过技术“复活死者”来克服死亡。本文仔细阅读了Deep Nostalgia的技术过程和2021年推出前后的公共话语,强调了它将计算学习、视觉表现形式(摄影、视频和动画)和时间体验的独特重新组合在一起。总之,这些将“算法似然”构建为一个神奇的情感空间,用于实现不可能的渴望,同时也是对人类死亡的“极限情况”的反射性遭遇。
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The “algorithmic as if”: Computational resurrection and the animation of the dead in Deep Nostalgia
Contemporary artificial intelligence and algorithmic processes address deep-seated existential challenges and modes of desire. In so doing, they produce computational systems of imagination, an “algorithmic as if” that enables the expression, transformation, and seeming overcoming of existential limitations via technological means. This article elaborates the character of the “algorithmic as if” by focusing on Deep Nostalgia, an online tool that turns personal photographs of the deceased into looped animations which smile, blink, and move, promising to overcome mortality by technologically “resurrecting the dead.” Performing a close-reading of Deep Nostalgia’s technological processes and the public discourse around its 2021 launch, the article highlights its combination of computational learning, forms of visual representation (photography, video, and animation), and distinctive realignments of temporal experience. Together, these frame the “algorithmic as if” as a magical and affective space for realizing impossible longings that are also reflexive encounters with the “limit-situation” of human mortality.
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来源期刊
New Media & Society
New Media & Society COMMUNICATION-
CiteScore
12.70
自引率
8.00%
发文量
274
期刊介绍: New Media & Society engages in critical discussions of the key issues arising from the scale and speed of new media development, drawing on a wide range of disciplinary perspectives and on both theoretical and empirical research. The journal includes contributions on: -the individual and the social, the cultural and the political dimensions of new media -the global and local dimensions of the relationship between media and social change -contemporary as well as historical developments -the implications and impacts of, as well as the determinants and obstacles to, media change the relationship between theory, policy and practice.
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