{"title":"关于作者","authors":"","doi":"10.5406/19407610.16.2.05","DOIUrl":null,"url":null,"abstract":"Other| July 01 2023 About the Authors Music and the Moving Image (2023) 16 (2): 55. https://doi.org/10.5406/19407610.16.2.05 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Authors. Music and the Moving Image 1 July 2023; 16 (2): 55. doi: https://doi.org/10.5406/19407610.16.2.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is a musicologist and orchestral conductor who has restored, reconstructed, or commissioned scores for over fifty mute films for performances with orchestras throughout Europe and North and South America. A number of her scores are available from Criterion Films and from the Museum of Modern Art. Her books include Music for Silent Films 1898–1929: A Guide and the translation of Ennio Morricone and Sergio Micelli's Composing for the Cinema. Her edition of the score for Way Down East (D. W. Griffith, 1920) is forthcoming from the AMS in its series Music of the United States of America. www.gilliananderson.itchristy thomas adams is an assistant professor of musicology at the University of Alabama School of Music. Her research focuses on the intersection between Italian opera and emerging media technologies at the turn of the twentieth century, with broad interests in the history of media technologies and the... You do not currently have access to this content.","PeriodicalId":41714,"journal":{"name":"Music Sound and the Moving Image","volume":"141 1","pages":"0"},"PeriodicalIF":0.5000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"About the Authors\",\"authors\":\"\",\"doi\":\"10.5406/19407610.16.2.05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Other| July 01 2023 About the Authors Music and the Moving Image (2023) 16 (2): 55. https://doi.org/10.5406/19407610.16.2.05 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Authors. Music and the Moving Image 1 July 2023; 16 (2): 55. doi: https://doi.org/10.5406/19407610.16.2.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is a musicologist and orchestral conductor who has restored, reconstructed, or commissioned scores for over fifty mute films for performances with orchestras throughout Europe and North and South America. A number of her scores are available from Criterion Films and from the Museum of Modern Art. Her books include Music for Silent Films 1898–1929: A Guide and the translation of Ennio Morricone and Sergio Micelli's Composing for the Cinema. Her edition of the score for Way Down East (D. W. Griffith, 1920) is forthcoming from the AMS in its series Music of the United States of America. www.gilliananderson.itchristy thomas adams is an assistant professor of musicology at the University of Alabama School of Music. Her research focuses on the intersection between Italian opera and emerging media technologies at the turn of the twentieth century, with broad interests in the history of media technologies and the... 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Other| July 01 2023 About the Authors Music and the Moving Image (2023) 16 (2): 55. https://doi.org/10.5406/19407610.16.2.05 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation About the Authors. Music and the Moving Image 1 July 2023; 16 (2): 55. doi: https://doi.org/10.5406/19407610.16.2.05 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveUniversity of Illinois PressMusic and the Moving Image Search Advanced Search gillian b. anderson is a musicologist and orchestral conductor who has restored, reconstructed, or commissioned scores for over fifty mute films for performances with orchestras throughout Europe and North and South America. A number of her scores are available from Criterion Films and from the Museum of Modern Art. Her books include Music for Silent Films 1898–1929: A Guide and the translation of Ennio Morricone and Sergio Micelli's Composing for the Cinema. Her edition of the score for Way Down East (D. W. Griffith, 1920) is forthcoming from the AMS in its series Music of the United States of America. www.gilliananderson.itchristy thomas adams is an assistant professor of musicology at the University of Alabama School of Music. Her research focuses on the intersection between Italian opera and emerging media technologies at the turn of the twentieth century, with broad interests in the history of media technologies and the... You do not currently have access to this content.