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引用次数: 0
摘要
在圣保罗,在冠状病毒大流行之后的一段时间里,随着在多媒体虚拟钥匙中休息期间进行的无数演出的再现,戏剧制作现场经历了巨大的推动。在舞台上,流行病危机的严酷现实和主导该国的政治局势在一些重要问题的出现中得到了回响,这些问题突出了黑人、LGBTQIA+社区、女权主义和社会排斥的议程。在2022年演出季的所有剧目中,这里以最重要的作品为例,Núcleo Bartolomeu de Depoimentos公司的作品在舞台上表演了一场漫长而充满活力的净化和治愈仪式,由文化的音乐性和表现力维持。Hip-hop是该乐队的标志,与爵士和布鲁斯的节奏有关。
In São Paulo, in the period following the coronavirus pandemic, the scene of theatrical production experienced a great boost with the recreation of the countless shows that took place during the recess in the multimedia virtual key. On stage, the harsh realities of the pandemic crisis and the political situation that dominated the country found an echo in the emergence of important issues such as those that highlighted the agendas of blackness, the LGBTQIA+ community, feminisms, and social exclusion. Of the shows that made up the 2022 season, taking it here as an example of the most significant produced, the work of the Núcleo Bartolomeu de Depoimentos company performs on stage a long and vibrant ritual of purgation and healing, sustained by the musicality and expressiveness of culture. hip-hop, hallmark of the group, associated with the cadences of jazz and blues.