{"title":"无储备生成","authors":"Rebekah Sheldon","doi":"10.3828/sfftv.2023.16","DOIUrl":null,"url":null,"abstract":"This article reads the fantasy behind depictions of sterility in sf film and television, focusing in particular on Blade Runner 2049 , Orphan Black , and Children of Men. Historically contextualized by climate change on the one hand and the extractive logic of racial biocapitalism on the other, sterility apocalypses are a part of an emergent biopolitics of reproduction that seek to enclose the living labor of the body – not just at the level of the cell or the tissue, but at the source of generativity itself, here metonymized by sexual reproduction.","PeriodicalId":42550,"journal":{"name":"Science Fiction Film and Television","volume":"62 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-10-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Generativity without reserve\",\"authors\":\"Rebekah Sheldon\",\"doi\":\"10.3828/sfftv.2023.16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reads the fantasy behind depictions of sterility in sf film and television, focusing in particular on Blade Runner 2049 , Orphan Black , and Children of Men. Historically contextualized by climate change on the one hand and the extractive logic of racial biocapitalism on the other, sterility apocalypses are a part of an emergent biopolitics of reproduction that seek to enclose the living labor of the body – not just at the level of the cell or the tissue, but at the source of generativity itself, here metonymized by sexual reproduction.\",\"PeriodicalId\":42550,\"journal\":{\"name\":\"Science Fiction Film and Television\",\"volume\":\"62 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-10-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Science Fiction Film and Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/sfftv.2023.16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Science Fiction Film and Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/sfftv.2023.16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This article reads the fantasy behind depictions of sterility in sf film and television, focusing in particular on Blade Runner 2049 , Orphan Black , and Children of Men. Historically contextualized by climate change on the one hand and the extractive logic of racial biocapitalism on the other, sterility apocalypses are a part of an emergent biopolitics of reproduction that seek to enclose the living labor of the body – not just at the level of the cell or the tissue, but at the source of generativity itself, here metonymized by sexual reproduction.
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