日本主要城市的创意产业

A.-А.A. Zvereva, I.S. Tikhotskaya
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摘要

这篇文章试图找出日本人口超过100万的城市的创意产业特征。由于日本对创意产业没有统一的定义,也没有正式采用的分类方法,因此我们对各种信息来源进行分析和汇总,以制定一个考虑到日本文化和传统的具体特征的创意产业分类。对大城市创意产业的分析显示,先进创意产业,即“信息技术和计算机服务”,是日本最发达的创意产业。流传最广的传统行业包括“工艺美术”和“建筑”。对于所有纳入分析的12个城市,我们计算了专业化系数,即一个城市创意产业中创意组织和从业人员的份额与全国相应产业份额的比例,并建立了所有创意产业的花瓣图。因此,我们了解了日本所有大城市的创意概况。本文运用比较地理学的方法分析了日本城市创意产业发展的地域差异,并运用地图学的方法揭示了国家层面创意产业的地域结构。研究表明,创意产业在全国范围内分布不均,日本创意产业地域结构呈单中心结构,并高度集中于东京,东京是全国的“创意中心”,有意成为亚洲的创意中心。我们的研究显示,随着城市人口的减少,创意组织的数量和从事创意产业的人数正在稳步下降。创意产业的发展是“酷日本”国家政策的重要组成部分,该政策将日本的传统和文化遗产视为经济增长和创意产业发展的创新。根据已发现创意产业的数量,我们确定了一、二、三级“创意核心”,这些核心有潜力成为所在地区的创意中心。
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CREATIVE INDUSTRIES IN MAJOR CITIES OF JAPAN
The article seeks to identify the features of creative industries in Japanese cities with a population over 1 million people. Since there is no universal definition of creative industries in Japan and no officially adopted classification, we analyzed and aggregated various sources of information to develop a classification of creative industries, which takes into account specific features of Japanese culture and traditions. The analysis of creative industries in the largest cities has revealed that the advanced creative industry, i. e. “IT and computer services”, is the most developed creative sector in Japan. The most widely spread traditional industries include “crafts and applied arts” and “architecture”. For all 12 cities included in the analysis we calculated specialization coefficients, i.e. the ratio of the share of creative organizations and employed in the creative industries in a city to the corresponding shares of the industry in the country, and built petal diagrams for all creative industries. As a result, we have obtained an understanding about creative profiles of all largest Japanese cities. We applied a comparative-geographical method to identify territorial differences in the development of creative industries in Japanese cities, and a cartographic method to reveal the territorial structure of creative industries at the national level. The study has shown that the creative industries are unevenly distributed over the country and the territorial structure of creative industries in Japan is monocentric with hyperconcentration in Tokyo, the “creative hub” of the whole country, which is intended to become a creative center of Asia. Our study revealed that as the city’s population decreases, the number of creative organizations and people employed in creative industries is declining quite steadily. The progress of the creative sector is an important component of the “Cool Japan” national policy, which views Japanese traditions and cultural heritage as innovations for economic growth and the development of creative industries. Depending on the number of found creative industries we identified first-, second-, and third-order “creative cores” which have a potential to become creative centers in their regions.
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