德彪西钢琴前奏曲《序曲》中的“调式”是构成技法的基础

Pan-Art Pub Date : 2023-11-09 DOI:10.30853/pa20230038
Iuliia Vladimirovna Shatskikh
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引用次数: 0

摘要

本文致力于将“情态”解释为一种体现情感成分的作曲技巧。研究表明,情态原则在许多方面与调性系统相矛盾。它的结论是,纯模态很少遇到,因为它通常是对其他技术的补充。在这方面,一个独特的例子是克劳德·德彪西的第一部前奏曲(1910年)中的钢琴曲“Voiles”(1909年)。德彪西音乐发现的创新价值怎么评价都不为过。他的音乐之所以新颖,部分原因在于他摆脱了传统的和声框架。从这个意义上说,德彪西延续了穆索尔斯基(1839-1881)的发现。
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Modality" as the basis of the compositional technique in the piano prelude "Voiles" by Claude Debussy
The article is devoted to the interpretation of "modality" as a compositional technique that embodies an emotional component. The study establishes that the principles of modality, in many ways, contradict the tonal system. It concludes that pure modality is encountered very rarely, as it usually complements other techniques. A unique example in this regard is Claude Debussy's piano piece "Voiles" (1909) from his first book of preludes (1910). The innovative value of Debussy's musical discoveries is hard to overestimate. The novelty of his music is associated, in part, with moving away from the traditional harmonic framework. In this sense, Debussy continues the discoveries of Modest Petrovich Mussorgsky (1839-1881).
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