《创世纪》的主题与变型:帕斯捷尔纳克《涅斯库奇尼悲哀》循环的解读

IF 0.2 3区 文学 0 LITERATURE, SLAVIC RUSSKAIA LITERATURA Pub Date : 2023-01-01 DOI:10.31860/0131-6095-2023-3-195-209
Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov
{"title":"《创世纪》的主题与变型:帕斯捷尔纳克《涅斯库奇尼悲哀》循环的解读","authors":"Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov","doi":"10.31860/0131-6095-2023-3-195-209","DOIUrl":null,"url":null,"abstract":"The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.","PeriodicalId":44527,"journal":{"name":"RUSSKAIA LITERATURA","volume":"123 1","pages":"0"},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THEMES AND VARIATIONS OF THE GENESIS: TO THE INTERPRETATION OF B. L. PASTERNAK’S CYCLE NESKUCHNY SAD\",\"authors\":\"Georgii Vladimirovich Kunitsyn, Daria Konstantinovna Polivanova, Konstantin Mikhailovich Polivanov\",\"doi\":\"10.31860/0131-6095-2023-3-195-209\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.\",\"PeriodicalId\":44527,\"journal\":{\"name\":\"RUSSKAIA LITERATURA\",\"volume\":\"123 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSKAIA LITERATURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31860/0131-6095-2023-3-195-209\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, SLAVIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSKAIA LITERATURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31860/0131-6095-2023-3-195-209","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}
引用次数: 0

摘要

本文对帕斯捷尔纳克第四部诗集《主题与变奏曲》(Temy i Variatsii)的第二部分《涅斯库奇尼花园》(The Neskuchny Garden)中的前六首诗进行了解读,作为这一部分的第一个微循环和导论。对每首诗的语义和意象的分析揭示了普遍的圣经原型与艺术诞生主题之间的联系,这是整个诗集的中心主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
THEMES AND VARIATIONS OF THE GENESIS: TO THE INTERPRETATION OF B. L. PASTERNAK’S CYCLE NESKUCHNY SAD
The article offers an interpretation of the fi rst six poems from the cycle Neskuchny Sad (The Neskuchny Garden) — the second part of B. L. Pasternak’s fourth poetry collection Themes and Variations (Temy i Variatsii) as the first and introductory microcycle of this part. The analysis of the semantics and imagery of each poem reveals the connection between the universal biblical prototype and the theme of the birth of art, the central one for the entire poetry collection.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
RUSSKAIA LITERATURA
RUSSKAIA LITERATURA LITERATURE, SLAVIC-
CiteScore
0.20
自引率
0.00%
发文量
32
期刊最新文献
LOUIS DIÉMER AS A CORRESPONDENT OF I. S. TURGENEV (TOWARDS THE HISTORY OF LITERARY AND MUSICAL BENEFIT CONCERTS IN PARIS) «I HAD THE RIGHT TO WRITE ABOUT AVVAKUM…» V. T. SHALAMOV’S LETTERS TO V. I. MALYSHEV RUSSIAN STUDIES ON DOSTOEVSKY FROM THE PERSPECTIVE OF BIG DATA ANALYSIS (1844-2020) AN ATTEMPT OF VANGUARD HAGIOGRAPHY: A. M. REMIZOV’S NOVELLA IN PINK GLOW: FROM THE PROLOGUE LUDVIG HOLBERG AND RUSSIA
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1