A Review of Podcasting: Time for a Musicology Podcasting Revolution?

Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).Notes1 “About the New Books Network,” https://newbooksnetwork.com/about-the-nbn (accessed September 28, 2022). I primarily host episodes for the music and Celebration channels. You can access my episodes here: https://newbooksnetwork.com/hosts/profile/d0e36e2b-c234-46cb-a7a5-f2ed5110141e.2 To learn more about the New Books in Music channel and the overall New Books Network, see Katherine K. Preston, Alexandra Hui, and Jennifer Ronyak, “New Books in Music,” Journal of the American Musicological Society 73, no. 2 (2020): 427–41.3 These series by musicologists were first released on Apple Podcasts in 2020: Sound Expertise, Bent Notes, Crafting Musical Lives, and Notes on Notes.4 “About Classically Black Podcast,” https://www.classicallyblackpodcast.com/about.5 “About Journal of Audiovisual Ethnomusicology,” https://javem.org/about/.6 “LGBTQ+ Music Study Group,” https://www.lgbtqmusicstudygroup.com/podcast.7 Learn more about the podcast in the introduction to Nate Sloan and Charlie Harding, Switched on Pop: How Popular Music Works, and Why It Matters (New York: Oxford University Press, 2019).8 Amy Skjerseth, “Ride-Along Listening: Inclusive Modes of Musical Analysis in Switched on Pop,” Radio Journal: International Studies in Broadcast & Audio Media 20, no. 2 (2022): 33–48.9 “Humanities Podcast Network,” http://humanitiespodnetwork.org/.10 Stacey Copeland and Hannah McGregor, A Guide to Academic Podcasting (Scholars Commons @ Laurier, 2021), https://scholars.wlu.ca/books/2/.11 Zencastr, https://zencastr.com/.12 “SMT Pod: Open, Collaborative Peer-Review Process,” https://smt-pod.org/submit/OCPR/.