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引用次数: 0
摘要
本文介绍了《Oracy and English Studies》杂志的客座版。这个特别论坛的文章探讨了重新关注口语如何重新想象“做英语”的意义。我们是两位校级教师,一位来自古典,一位来自英语,渴望探索这一理念的潜力。我们汇集了一系列简短的挑衅,这些挑衅来自于该学科领域内外的英国领先从业者:包括演讲撰稿人、莎士比亚和当代诗歌的大学教师、慈善机构领导人和政治传播专家。他们的作品反映了课堂实践,包括大声朗读和发声,模仿,分析政治演讲和辩论,或者让学生质疑他们对自己声音的态度。在每种情况下,我们的撰稿人都被要求对教育理论中被称为“oracy”(简单地说,“听力和口语技能”)的概念做出回应。英语学习显然需要应对这个突然无处不在的概念。不仅因为它在政治上的共鸣,还因为它对各级英语教师都有丰富的启示,值得在教育领域之外得到更多的认可和质疑。
Making the voice matter in English Studies Teaching
Abstract This introduction frames the guest edition of the journal on ‘Oracy and English Studies’. The pieces in this special forum explore how a renewed focus on speaking can re-imagine what it means to ‘do English’. We are two university-level teachers, one from Classics, one from English, eager to explore the potential of this idea. We have brought together a series of short provocations from leading UK-based practitioners both within and beyond the subject area: including a speech-writer, university teachers of Shakespeare and contemporary poetry, charity leaders, and political communication specialists. Their pieces reflect on classroom practices including reading aloud and vocalization, impersonation, the analysis of political speeches and argumentation, or getting students to interrogate their attitudes to their own voices. In each case, our contributors have been asked to respond to the concept from educational theory known as ‘oracy’ (simply put, ‘listening and speaking skills’). English studies clearly need to grapple with this suddenly ubiquitous concept. Not just for its political resonances, but because it is rich in implications for teachers of English at all levels, and deserves greater recognition and interrogation beyond the world of education.
期刊介绍:
English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.