“流量奖励”、“算法可见度”和“广告商满意度”:中国短视频平台如何分阶段培养创作者

Yang Huang, WeiMing Ye
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引用次数: 0

摘要

中国的创作者和抖音(中国著名的短视频平台)在文化生产方面建立了牢固的关系。基于社会交换理论,本研究试图探索中国平台货币化的过程和机制。通过对19位全职创作者的深入访谈,我们认为中国创作者和抖音进行了一种重复但不平等的交流,共同的目标是赚取收入。抖音与创作者合作,培养他们对收入的渴望,同时掌握创造性劳动,最后将他们与金钱收益联系起来。抖音不仅将曝光率和互联网流量分配给新创作者,还开发了抖音+,这是一个利用创意作品可见性的流量营销工具。抖音首先通过这一步提高了创作者的收入预期。平台通过星图内容交易系统引导创作者,建立平台-广告主-创作者交易链。当抖音与创作者之间的交易趋于稳定时,平台设置了一个不确定的收益机制。抖音致力于为创作者打造标准化的生产流水线和经济效益,以牺牲创新和多样性为代价,建立了平台与创作者之间的交流模式。我们认为,这种标准化的劳动过程消除了文化生产的自主性。
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‘Traffic rewards’, ‘algorithmic visibility’, and ‘advertiser satisfaction’: How Chinese short-video platforms cultivate creators in stages
Chinese creators and Douyin (a prominent Chinese short-video platform) are building a strong relationship in cultural production. Based on the social exchange theory, this study tries to explore the process and mechanism of monetization in Chinese platforms. Using the app walkthrough method and in-depth interviews with 19 full-time creators, we contend that Chinese creators and Douyin engage in a repetitive but unequal exchange with the common goal of earning income. Douyin works with creators to cultivate their thirst for revenue over time, while mastering the creative labor, before finally tying them to monetary gains. Douyin not only binds exposure and allocates Internet traffic to new creators, but also develops Dou+, a traffic marketing tool that leverages the affordances of creative work visibility. Douyin first enhances the creators’ income expectations through this step. The platform then directs creators through the Star-Chart content trading system, and establishes the platform-advertiser-creator transaction chain. When the exchange between Douyin and creators becomes stable, the platform sets up an uncertain revenue mechanism. Douyin’s commitment to creating a standardized assembly line of production and financial benefit for creators has established an exchange mode between the platform and creators at the expense of innovation and diversity. We argue that this standardized labor process eliminates the autonomy of cultural production.
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来源期刊
CiteScore
5.80
自引率
7.10%
发文量
98
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