{"title":"“这个应用程序是邪恶的森林真的真的”:尼日利亚人对Twitter基于隐喻的元话语评价","authors":"Onwu Inya","doi":"10.1093/llc/fqad063","DOIUrl":null,"url":null,"abstract":"Abstract Previous linguistic studies on Nigeria-based Twitter discourse have investigated radicalist, terrorist, campaign, and electioneering discourses. These previous studies focus on discourses produced on Twitter, and not metadiscursive reflections about the social media space itself, and the discursive practice of dragging, in the context of celebrity–newcomer socialization, drawing theoretical insights from metaphoric conceptualizations. This article examines metaphor-based metadiscursive evaluations of the microblogging space by Nigerians. The data for the study comprise tweets retrieved from the Twitter account of a Nigerian celebrity new to Twitter, and subjected to metaphor scenario analysis. It was found that the metaphoric concepts of EVIL FOREST, STREET AS CULTURE/HIGHWAY, and DRAG/TIGER GENERATOR provide frames for characterizing, and evaluating Twitter, and the practice of dragging, respectively. Such user-based metadiscursive metaphoric reflections about the digital space, and culture grant access to the conceptual, and ideological structures that underscore participation in cyberspace. This article has implications for understanding the conceptual and ideological structures that underscore participation on Twitter NG, and the (dis)affiliative stance towards online bullying inherent in the practice of dragging.","PeriodicalId":45315,"journal":{"name":"Digital Scholarship in the Humanities","volume":"22 1","pages":"0"},"PeriodicalIF":0.7000,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘<i>This app is evil forest true true</i>’: metaphor-based metadiscursive evaluations of Twitter by Nigerians\",\"authors\":\"Onwu Inya\",\"doi\":\"10.1093/llc/fqad063\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Previous linguistic studies on Nigeria-based Twitter discourse have investigated radicalist, terrorist, campaign, and electioneering discourses. These previous studies focus on discourses produced on Twitter, and not metadiscursive reflections about the social media space itself, and the discursive practice of dragging, in the context of celebrity–newcomer socialization, drawing theoretical insights from metaphoric conceptualizations. This article examines metaphor-based metadiscursive evaluations of the microblogging space by Nigerians. The data for the study comprise tweets retrieved from the Twitter account of a Nigerian celebrity new to Twitter, and subjected to metaphor scenario analysis. It was found that the metaphoric concepts of EVIL FOREST, STREET AS CULTURE/HIGHWAY, and DRAG/TIGER GENERATOR provide frames for characterizing, and evaluating Twitter, and the practice of dragging, respectively. Such user-based metadiscursive metaphoric reflections about the digital space, and culture grant access to the conceptual, and ideological structures that underscore participation in cyberspace. This article has implications for understanding the conceptual and ideological structures that underscore participation on Twitter NG, and the (dis)affiliative stance towards online bullying inherent in the practice of dragging.\",\"PeriodicalId\":45315,\"journal\":{\"name\":\"Digital Scholarship in the Humanities\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-10-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Digital Scholarship in the Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/llc/fqad063\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Digital Scholarship in the Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/llc/fqad063","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
先前对尼日利亚Twitter话语的语言学研究调查了激进主义、恐怖主义、竞选和竞选话语。这些先前的研究关注的是Twitter上产生的话语,而不是对社交媒体空间本身的元话语反思,以及名人-新人社会化背景下的拖拽话语实践,从隐喻概念化中获得理论见解。本文检视奈及利亚人对微博空间基于隐喻的元话语评价。这项研究的数据包括从一位尼日利亚名人的推特账户中检索到的推文,并进行了隐喻情景分析。研究发现,EVIL FOREST、STREET AS CULTURE/HIGHWAY和DRAG/TIGER GENERATOR这三个隐喻概念分别为Twitter和DRAG行为提供了表征和评价框架。这种基于用户的元话语隐喻对数字空间和文化的反思,赋予了人们进入强调网络空间参与的概念和意识形态结构的机会。本文有助于理解强调Twitter NG参与的概念和意识形态结构,以及对拖拉行为中固有的在线欺凌的(非)从属立场。
‘This app is evil forest true true’: metaphor-based metadiscursive evaluations of Twitter by Nigerians
Abstract Previous linguistic studies on Nigeria-based Twitter discourse have investigated radicalist, terrorist, campaign, and electioneering discourses. These previous studies focus on discourses produced on Twitter, and not metadiscursive reflections about the social media space itself, and the discursive practice of dragging, in the context of celebrity–newcomer socialization, drawing theoretical insights from metaphoric conceptualizations. This article examines metaphor-based metadiscursive evaluations of the microblogging space by Nigerians. The data for the study comprise tweets retrieved from the Twitter account of a Nigerian celebrity new to Twitter, and subjected to metaphor scenario analysis. It was found that the metaphoric concepts of EVIL FOREST, STREET AS CULTURE/HIGHWAY, and DRAG/TIGER GENERATOR provide frames for characterizing, and evaluating Twitter, and the practice of dragging, respectively. Such user-based metadiscursive metaphoric reflections about the digital space, and culture grant access to the conceptual, and ideological structures that underscore participation in cyberspace. This article has implications for understanding the conceptual and ideological structures that underscore participation on Twitter NG, and the (dis)affiliative stance towards online bullying inherent in the practice of dragging.
期刊介绍:
DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.