以主权之名

IF 0.2 Q4 WOMENS STUDIES Meridians-Feminism Race Transnationalism Pub Date : 2023-10-01 DOI:10.1215/15366936-10626350
Cherise Fung
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引用次数: 2

摘要

在后9/11时代,女性自杀式袭击者的形象在全球话语中成为一个有争议的人物。纳伊米·穆纳维拉(Nayomi Munaweera)的小说《千镜之岛》(2012)通过萨拉斯瓦蒂(Saraswathi)这个角色,突出了这个底层人物的塑造如何取决于她对强奸的敏感性。针对她的反恐机构和招募她的民族主义运动对强奸和自杀式爆炸之间的关系进行了不同的部署,这些运动让她既是受害者又是代理人,同时让她闭嘴。因此,本文认为,我们需要摆脱受害者和能动性的框架,它假设了主体性,而没有考虑到作为有界国家主权的结构,女性次等人的身体是如何被排除在居住主体之外的。作者运用贾斯比尔·普瓦尔的酷儿群体理论,解释了萨拉斯瓦蒂在《ITM》中的自杀式炸弹袭击者是如何通过一种反对规范的美国国家认同和主权的美国例外论话语,被构建成一个反信息的主体性人物的。作者以普瓦尔的见解为基础,利用情感理论,重新思考萨拉斯瓦蒂的暴力抗议,认为这是一个破坏这些规范身份及其相关社会剧本的时刻。作者进一步在小说中提出了反信息主体性的另一种观点,使萨拉斯瓦蒂在被强奸后得以幸存。
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In the Name of Sovereignty
Abstract In a post-9/11 world, the figure of the female suicide bomber has emerged as a contentious figure in global discourse. Through the character of Saraswathi, Nayomi Munaweera’s novel Island of a Thousand Mirrors (2012) foregrounds how the construction of this subaltern figure hinges on her susceptibility to rape. This relationship between rape and suicide bombing is deployed differently by the counterterrorist institutions that target her and the ethnonationalist movements that recruit her to make her speak as both victim and agent while silencing her. This article thus argues that we need to move away from the framework of victimhood and agency, which assumes subjectivity without accounting for how the body of the female subaltern is excluded from inhabiting subjecthood as a construct of bounded national sovereignty. Using Jasbir Puar’s theory of queer assemblage, the author explains how Saraswathi’s suicide bomber in ITM is constructed as a figure of antinormative subjectivity through a discourse of U.S. exceptionalism in opposition to a normative U.S. national identity and sovereignty. The author builds on Puar’s insights, which draw on affect theory, to rethink Saraswathi’s violent protest as a moment that destabilizes these normative identities and their related social scripts. The author further posits alternative visions of antinormative subjectivity in the novel that allow for Saraswathi’s survival after her rape.
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