{"title":"公平、多样性和包容性:再一次,带着感情","authors":"Rowan Aust","doi":"10.1177/13675494231201560","DOIUrl":null,"url":null,"abstract":"This article examines how gratitude influences the practice of British television production workers. It does so through a case study which asked television production workers to consider their work through the prism of gratitude: were they grateful for their work? Using semi-structured interviews, the data revealed that yes, workers were grateful but still identified many punitive working practices. These practices have simultaneously been identified by the industry itself, and there is an improvement discourse through the equity, diversity and inclusivity agendas. I argue here that equity, diversity and inclusivity measures are ineffective – as they have been proven to be elsewhere – because they do not consider the feeling(s), such as gratitude, of working in television. In failing to make this a consideration, equity, diversity and inclusivity work cannot address the inequalities it is there to resolve. This is because understanding the felt experience illuminates the fuller encounter of working in a particular environment. This includes the potential inhibition that gratitude can catalyse through indebtedness. In understanding what these feelings catalyse when cooperating in what they know to be an unfair system, equity, diversity and inclusivity work can be progressed beyond a model predicated on assimilation, to something that achieves substantive change.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"23 1","pages":"0"},"PeriodicalIF":1.9000,"publicationDate":"2023-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Equity, diversity and inclusivity: Once more, with feeling\",\"authors\":\"Rowan Aust\",\"doi\":\"10.1177/13675494231201560\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines how gratitude influences the practice of British television production workers. It does so through a case study which asked television production workers to consider their work through the prism of gratitude: were they grateful for their work? Using semi-structured interviews, the data revealed that yes, workers were grateful but still identified many punitive working practices. These practices have simultaneously been identified by the industry itself, and there is an improvement discourse through the equity, diversity and inclusivity agendas. I argue here that equity, diversity and inclusivity measures are ineffective – as they have been proven to be elsewhere – because they do not consider the feeling(s), such as gratitude, of working in television. In failing to make this a consideration, equity, diversity and inclusivity work cannot address the inequalities it is there to resolve. This is because understanding the felt experience illuminates the fuller encounter of working in a particular environment. This includes the potential inhibition that gratitude can catalyse through indebtedness. In understanding what these feelings catalyse when cooperating in what they know to be an unfair system, equity, diversity and inclusivity work can be progressed beyond a model predicated on assimilation, to something that achieves substantive change.\",\"PeriodicalId\":47482,\"journal\":{\"name\":\"European Journal of Cultural Studies\",\"volume\":\"23 1\",\"pages\":\"0\"},\"PeriodicalIF\":1.9000,\"publicationDate\":\"2023-10-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Journal of Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/13675494231201560\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Journal of Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/13675494231201560","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Equity, diversity and inclusivity: Once more, with feeling
This article examines how gratitude influences the practice of British television production workers. It does so through a case study which asked television production workers to consider their work through the prism of gratitude: were they grateful for their work? Using semi-structured interviews, the data revealed that yes, workers were grateful but still identified many punitive working practices. These practices have simultaneously been identified by the industry itself, and there is an improvement discourse through the equity, diversity and inclusivity agendas. I argue here that equity, diversity and inclusivity measures are ineffective – as they have been proven to be elsewhere – because they do not consider the feeling(s), such as gratitude, of working in television. In failing to make this a consideration, equity, diversity and inclusivity work cannot address the inequalities it is there to resolve. This is because understanding the felt experience illuminates the fuller encounter of working in a particular environment. This includes the potential inhibition that gratitude can catalyse through indebtedness. In understanding what these feelings catalyse when cooperating in what they know to be an unfair system, equity, diversity and inclusivity work can be progressed beyond a model predicated on assimilation, to something that achieves substantive change.
期刊介绍:
European Journal of Cultural Studies is a major international, peer-reviewed journal founded in Europe and edited from Finland, the Netherlands, the UK, the United States and New Zealand. The journal promotes a conception of cultural studies rooted in lived experience. It adopts a broad-ranging view of cultural studies, charting new questions and new research, and mapping the transformation of cultural studies in the years to come. The journal publishes well theorized empirically grounded work from a variety of locations and disciplinary backgrounds. It engages in critical discussions on power relations concerning gender, class, sexual preference, ethnicity and other macro or micro sites of political struggle.