Pub Date : 2023-12-14DOI: 10.1177/13675494231213943
Santeri Räisänen
This article argues that in the turn towards the human-centric in Finnish welfare reform, the human is a flexible signifier which arises out of technical metaphor to stand for certain neoliberal fantasies regarding welfare citizenship, market society and the state. I situate my analysis in the preceding literature on the cultural production of the citizen in market-oriented welfare reform. Through a close reading of user representations in a governmental AI Programme seeking transform the welfare state towards human centricity, I identify three dominant articulations of the human: the machinic, the inadequate and the entrepreneurial. These articulations disambiguate the human-in-the-centre as a chimaeral fantasy representing a late-neoliberal policy regime and evince the role of the imagination of engineers in government technopolitics.
{"title":"Machinic, inadequate, entrepreneurial: Uncovering the citizen subject of the human-centric welfare state","authors":"Santeri Räisänen","doi":"10.1177/13675494231213943","DOIUrl":"https://doi.org/10.1177/13675494231213943","url":null,"abstract":"This article argues that in the turn towards the human-centric in Finnish welfare reform, the human is a flexible signifier which arises out of technical metaphor to stand for certain neoliberal fantasies regarding welfare citizenship, market society and the state. I situate my analysis in the preceding literature on the cultural production of the citizen in market-oriented welfare reform. Through a close reading of user representations in a governmental AI Programme seeking transform the welfare state towards human centricity, I identify three dominant articulations of the human: the machinic, the inadequate and the entrepreneurial. These articulations disambiguate the human-in-the-centre as a chimaeral fantasy representing a late-neoliberal policy regime and evince the role of the imagination of engineers in government technopolitics.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"2004 11","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139001775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-14DOI: 10.1177/13675494231216213
Tiina Suopajärvi
This article discusses the resistance practices of the social sciences and humanities researchers who are doing small-scale qualitative research in Finnish universities. The research material was generated in three online ‘cafés’ where 22 researchers from different academic career stages gathered to share and discuss their experiences and emotions related to both their everyday work and to the effects of current research strategies on their work. The social sciences and humanities researchers felt discomfort with current neoliberal science politics, but they must, to some extent, play by its rules. However, they have found different ways to resist them, too, and this study scrutinises what kinds of resistance practices were generated in the café encounters and, further, how affects became part of these practices. Through my analysis, anxiety, anger, pride and hope came into being as the most meaningful affects that circulated through the cafés, and which fostered the resistance practices. Furthermore, with these affects, academics move towards individual or collective, but sometimes ambiguously towards both of these ways of resisting. The individual way supports the neoliberal idea of competing individuals, whereas a more collective way can open a possibility for more substantial and rapid change.
{"title":"Moving with affects in Finnish academia: Resistance practices of social science and humanities researchers and a possibility of change","authors":"Tiina Suopajärvi","doi":"10.1177/13675494231216213","DOIUrl":"https://doi.org/10.1177/13675494231216213","url":null,"abstract":"This article discusses the resistance practices of the social sciences and humanities researchers who are doing small-scale qualitative research in Finnish universities. The research material was generated in three online ‘cafés’ where 22 researchers from different academic career stages gathered to share and discuss their experiences and emotions related to both their everyday work and to the effects of current research strategies on their work. The social sciences and humanities researchers felt discomfort with current neoliberal science politics, but they must, to some extent, play by its rules. However, they have found different ways to resist them, too, and this study scrutinises what kinds of resistance practices were generated in the café encounters and, further, how affects became part of these practices. Through my analysis, anxiety, anger, pride and hope came into being as the most meaningful affects that circulated through the cafés, and which fostered the resistance practices. Furthermore, with these affects, academics move towards individual or collective, but sometimes ambiguously towards both of these ways of resisting. The individual way supports the neoliberal idea of competing individuals, whereas a more collective way can open a possibility for more substantial and rapid change.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"2019 22","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139002014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-14DOI: 10.1177/13675494231217053
Caroline Pelletier
In research on videogame production, much attention has been given, justifiably, to ‘crunch’, whereby employees in large studios work extremely long hours for months at a time prior to a game’s launch, at the request of management. There has to date been limited research about how duration and urgency are experienced at other periods, and also in the economically and culturally significant ‘independent’ (or indie) sectors and companies. This article draws on a Deleuzian framework initially developed to analyse experience of temporality in academic research, and applies it to data generated by an ethnography of a UK-based indie game studio, which examined how games are produced as part of a more routine working life. The framework enables a re-examination of how ‘passionate’ work in the cultural industries is lived day-to-day, and aims to contribute to debates about the politics of time in the games sector, offering analytic resources which expand the vocabulary for expressing desired experiences of time in game work.
{"title":"How time flows making games: An ethnographic analysis of experiences of temporality in an indie videogame studio","authors":"Caroline Pelletier","doi":"10.1177/13675494231217053","DOIUrl":"https://doi.org/10.1177/13675494231217053","url":null,"abstract":"In research on videogame production, much attention has been given, justifiably, to ‘crunch’, whereby employees in large studios work extremely long hours for months at a time prior to a game’s launch, at the request of management. There has to date been limited research about how duration and urgency are experienced at other periods, and also in the economically and culturally significant ‘independent’ (or indie) sectors and companies. This article draws on a Deleuzian framework initially developed to analyse experience of temporality in academic research, and applies it to data generated by an ethnography of a UK-based indie game studio, which examined how games are produced as part of a more routine working life. The framework enables a re-examination of how ‘passionate’ work in the cultural industries is lived day-to-day, and aims to contribute to debates about the politics of time in the games sector, offering analytic resources which expand the vocabulary for expressing desired experiences of time in game work.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"263 1","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139002166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-13DOI: 10.1177/13675494231216912
Eleftheria J Lekakis
{"title":"Book review: Anne M Cronin, Secrecy in Public Relations, Mediation and News Cultures","authors":"Eleftheria J Lekakis","doi":"10.1177/13675494231216912","DOIUrl":"https://doi.org/10.1177/13675494231216912","url":null,"abstract":"","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"5 S1","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139004683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-12DOI: 10.1177/13675494231216401
Izuu Nwankwọ
Jokes concurrently produce humour and offence owing to differences in cultural considerations of funniness and taboo. With growing audience diversity and online dissemination of live events, stand-up comics are exposed to increased scrutiny for irreverent anecdotes. Yet, ‘punching up’ has become an acceptable form of benign transgression. This is more so in cross-cultural contexts where differences heighten offence, because jokes do not just make us laugh but also create discomfort, especially when the joke-teller is different from us; whether it is ‘up’ or ‘down’, a punch is still a punch. Using the stand-up acts of four African diaspora comedians – Andi Osho, Dave Davis, Urzila Carlson and Trevor Noah – this essay interrogates cross-cultural joke presentation mechanics, themes and performer–audience relations to determine how and why these jokesters variously utilize punch-up jokes. Queries guiding the study include, what performance specificities do humourists enact to mitigate offence while dealing with sensitive/volatile subjects and a more diverse, political correctness-conscious audience? What is/are the relationship(s) between identity, cultural representations and jokes? In answering these questions, the emphasis is on discussing how the selected comedians craftily erect pre-determined sets of values that establish the context(s) within which the offensiveness of their ‘punch(es)’ is/are mitigated.
{"title":"‘Punch up, punch down o! All I know is there is punch’: Jokes about Africa(ns) in cross-cultural contexts","authors":"Izuu Nwankwọ","doi":"10.1177/13675494231216401","DOIUrl":"https://doi.org/10.1177/13675494231216401","url":null,"abstract":"Jokes concurrently produce humour and offence owing to differences in cultural considerations of funniness and taboo. With growing audience diversity and online dissemination of live events, stand-up comics are exposed to increased scrutiny for irreverent anecdotes. Yet, ‘punching up’ has become an acceptable form of benign transgression. This is more so in cross-cultural contexts where differences heighten offence, because jokes do not just make us laugh but also create discomfort, especially when the joke-teller is different from us; whether it is ‘up’ or ‘down’, a punch is still a punch. Using the stand-up acts of four African diaspora comedians – Andi Osho, Dave Davis, Urzila Carlson and Trevor Noah – this essay interrogates cross-cultural joke presentation mechanics, themes and performer–audience relations to determine how and why these jokesters variously utilize punch-up jokes. Queries guiding the study include, what performance specificities do humourists enact to mitigate offence while dealing with sensitive/volatile subjects and a more diverse, political correctness-conscious audience? What is/are the relationship(s) between identity, cultural representations and jokes? In answering these questions, the emphasis is on discussing how the selected comedians craftily erect pre-determined sets of values that establish the context(s) within which the offensiveness of their ‘punch(es)’ is/are mitigated.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"24 3","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139007823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-09DOI: 10.1177/13675494231218100
Pengfei Fu
{"title":"Book review: Zhen Troy Chen, China’s Music Industry Unplugged: Business Models, Copyright and Social Entrepreneurship in the Online Platform Economy","authors":"Pengfei Fu","doi":"10.1177/13675494231218100","DOIUrl":"https://doi.org/10.1177/13675494231218100","url":null,"abstract":"","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"10 6","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138585364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-06DOI: 10.1177/13675494231214561
Hong Zeng
Accelerating globalisation and transnational migration in recent decades has led to an increasing number of women migrants. This phenomenon calls for an investigation of women’s identities as migrants. This article examines women migrants’ sense of belonging through their everyday material practices. I draw on the concept of diasporic objects to examine the material objects that women migrants take with them, which function as prisms for their relationships to their national cultures. I adopt a theoretical framework of intimacy – including national intimacy, intimate culture and diasporic intimacy – to examine how women relate to their nations via a nation–family continuum. Through an analysis of 18 women migrants’ narratives about their diasporic objects, I argue that the diasporic objects of women migrants articulate their domestic and familial life and connect them with their imagined national cultures. Their concept of ‘home’ is haunted by memories of war, patriarchal oppression and authoritarianism. I conclude by discussing how they use their diasporic objects to transform the idea of home into a rooted and transitive concept.
{"title":"The intimate thing that makes her feel at home: An analysis of the diasporic objects of women migrants","authors":"Hong Zeng","doi":"10.1177/13675494231214561","DOIUrl":"https://doi.org/10.1177/13675494231214561","url":null,"abstract":"Accelerating globalisation and transnational migration in recent decades has led to an increasing number of women migrants. This phenomenon calls for an investigation of women’s identities as migrants. This article examines women migrants’ sense of belonging through their everyday material practices. I draw on the concept of diasporic objects to examine the material objects that women migrants take with them, which function as prisms for their relationships to their national cultures. I adopt a theoretical framework of intimacy – including national intimacy, intimate culture and diasporic intimacy – to examine how women relate to their nations via a nation–family continuum. Through an analysis of 18 women migrants’ narratives about their diasporic objects, I argue that the diasporic objects of women migrants articulate their domestic and familial life and connect them with their imagined national cultures. Their concept of ‘home’ is haunted by memories of war, patriarchal oppression and authoritarianism. I conclude by discussing how they use their diasporic objects to transform the idea of home into a rooted and transitive concept.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"55 8","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597649","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-04DOI: 10.1177/13675494231211435
Zehra Yılmaz, Pelin Sönmez
This article examines the relationship between Islam and migrant Turkish and Syrian women living in the Netherlands and their patterns of belonging, while also questioning the dynamics of identity. It reveals that religious Muslim migrants tend to exhibit their Islamic identity as a salient identity with self-representation of being Muslims. This is seen through the new ummah concept and their demands for a Sharia Council. This new definition of the ummah is discussed in terms of the sense of belonging it brings, asserting that religion cannot always function as a means of resistance, in that the religiosity of Muslims in the Netherlands is not an attempt to exclude themselves from the system, but rather a means by which they can be part of it. The article reveals that the new definition of the ummah is highly driven by migrant religious women in the Netherlands, who resist both the traditionalist and institutional understanding of Islam, while also rejecting their national ties. They aspire to create an Islamic space ( dar’al Islam) for themselves within the ummah and seek to achieve this legally through a Sharia Council.
{"title":"Religious migrant women as builders of the new ummah in the Netherlands: A belonging path for Muslims?","authors":"Zehra Yılmaz, Pelin Sönmez","doi":"10.1177/13675494231211435","DOIUrl":"https://doi.org/10.1177/13675494231211435","url":null,"abstract":"This article examines the relationship between Islam and migrant Turkish and Syrian women living in the Netherlands and their patterns of belonging, while also questioning the dynamics of identity. It reveals that religious Muslim migrants tend to exhibit their Islamic identity as a salient identity with self-representation of being Muslims. This is seen through the new ummah concept and their demands for a Sharia Council. This new definition of the ummah is discussed in terms of the sense of belonging it brings, asserting that religion cannot always function as a means of resistance, in that the religiosity of Muslims in the Netherlands is not an attempt to exclude themselves from the system, but rather a means by which they can be part of it. The article reveals that the new definition of the ummah is highly driven by migrant religious women in the Netherlands, who resist both the traditionalist and institutional understanding of Islam, while also rejecting their national ties. They aspire to create an Islamic space ( dar’al Islam) for themselves within the ummah and seek to achieve this legally through a Sharia Council.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":"7 1","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138602821","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-12-01DOI: 10.1177/13675494231212821
Melanie Schiller
This article uses the recent rise of populist radical right discourses in society as a cultural and political phenomenon to explore the role of popular music in constructing these discourses, with a focus on the Sweden Democrats (SD) and musician Peter Jezewski. By examining Jezewski’s direct collaborations with the SD and his song ‘My Land’, the article uncovers how popular music culture participates in the construction of populist discourses of ‘the people’ in nativist terms. The article contends that certain subcultural styles in popular music resonate strongly with populist discourses of a ‘silenced majority’ in need of a strong populist leader and as such contribute to the construction of the ‘people’ versus ‘elite’ antagonism beyond the political realm. The case study of Jezewski’s song and music video emphasises how nostalgic rock culture enables populist articulations by aligning with populist radical right anti-establishment, preservationist−nativist discourses and the performative construction of ‘the people’. Drawing on cultural studies resources, the article hence investigates the practices that bring ‘a people’ into existence through cultural tropes and mechanisms to better comprehend the links between articulations of populism, popular culture and subcultural performances of counter-hegemonic resistance.
{"title":"‘Rocking the establishment’: Subculture, authenticity and the populist radical right in Sweden","authors":"Melanie Schiller","doi":"10.1177/13675494231212821","DOIUrl":"https://doi.org/10.1177/13675494231212821","url":null,"abstract":"This article uses the recent rise of populist radical right discourses in society as a cultural and political phenomenon to explore the role of popular music in constructing these discourses, with a focus on the Sweden Democrats (SD) and musician Peter Jezewski. By examining Jezewski’s direct collaborations with the SD and his song ‘My Land’, the article uncovers how popular music culture participates in the construction of populist discourses of ‘the people’ in nativist terms. The article contends that certain subcultural styles in popular music resonate strongly with populist discourses of a ‘silenced majority’ in need of a strong populist leader and as such contribute to the construction of the ‘people’ versus ‘elite’ antagonism beyond the political realm. The case study of Jezewski’s song and music video emphasises how nostalgic rock culture enables populist articulations by aligning with populist radical right anti-establishment, preservationist−nativist discourses and the performative construction of ‘the people’. Drawing on cultural studies resources, the article hence investigates the practices that bring ‘a people’ into existence through cultural tropes and mechanisms to better comprehend the links between articulations of populism, popular culture and subcultural performances of counter-hegemonic resistance.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" 3","pages":""},"PeriodicalIF":2.4,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138615296","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2023-11-10DOI: 10.1177/13675494231208718
Ella Poutiainen
Increasingly popular ‘feminine spiritualities’ urge women to foster personal transformation and social change through spiritual empowerment and healing of ‘the feminine’. However, in spite of feminist undertones, feminism is rarely explicitly evoked, and is often even rejected. Gender scholars have debated over the ambivalent feminism of contemporary spiritualities, which are readily seen as closer to postfeminist rather than feminist ideals, or framed as a form of old-fashioned cultural feminism. While some recent analyses do explore the feminist potential of feminine spiritualities in more positive terms, the debates often lack practitioner perspectives on feminism and deeper considerations of the practitioners’ own self-definitions. Based on ethnographic interview material across Finnish and Anglo-American contexts, this article explores how adherents of feminine spirituality imagine feminism, and whether they consider their spirituality to be feminist or not and why. I argue that while practitioners hold varying, often ambiguous positions in relation to feminism, the narratives iterate shared themes that render feminism and feminine spirituality as incompatible: an emphasis on femininity over feminism, and a focus on spirituality instead of politics. Furthermore, practitioners critique mainstream feminism for being too secular, while often simultaneously agreeing with feminist criticisms of both cultural feminist and postfeminist ideals. I suggest that failing to take the voices of spiritual women into account prevents constructive dialogue and solidarity among secular and spiritual feminists as well as non-feminist women, and offers little room for emerging postsecular feminist identities.
{"title":"A feminism of the soul? Postfeminism, postsecular feminism and contemporary feminine spiritualities","authors":"Ella Poutiainen","doi":"10.1177/13675494231208718","DOIUrl":"https://doi.org/10.1177/13675494231208718","url":null,"abstract":"Increasingly popular ‘feminine spiritualities’ urge women to foster personal transformation and social change through spiritual empowerment and healing of ‘the feminine’. However, in spite of feminist undertones, feminism is rarely explicitly evoked, and is often even rejected. Gender scholars have debated over the ambivalent feminism of contemporary spiritualities, which are readily seen as closer to postfeminist rather than feminist ideals, or framed as a form of old-fashioned cultural feminism. While some recent analyses do explore the feminist potential of feminine spiritualities in more positive terms, the debates often lack practitioner perspectives on feminism and deeper considerations of the practitioners’ own self-definitions. Based on ethnographic interview material across Finnish and Anglo-American contexts, this article explores how adherents of feminine spirituality imagine feminism, and whether they consider their spirituality to be feminist or not and why. I argue that while practitioners hold varying, often ambiguous positions in relation to feminism, the narratives iterate shared themes that render feminism and feminine spirituality as incompatible: an emphasis on femininity over feminism, and a focus on spirituality instead of politics. Furthermore, practitioners critique mainstream feminism for being too secular, while often simultaneously agreeing with feminist criticisms of both cultural feminist and postfeminist ideals. I suggest that failing to take the voices of spiritual women into account prevents constructive dialogue and solidarity among secular and spiritual feminists as well as non-feminist women, and offers little room for emerging postsecular feminist identities.","PeriodicalId":47482,"journal":{"name":"European Journal of Cultural Studies","volume":" 620","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135186237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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