阿利亚·伊萨科维奇和柳比卡·奥斯托季奇的儿童和青年文学中的口头文学

Edina Murtić
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引用次数: 0

摘要

本文的目的是展示口头文学的元素如何插入到波斯尼亚-黑塞哥维那著名作家阿利亚·伊萨科维奇和柳比卡·奥斯托季奇的儿童和青年当代文学中。本文首先从理论上阐述了儿童青少年文学中口头文学元素的存在。这两种不同的文学方向在根源上相互接触,在当代插值中,它们在口头文学要素的体裁再语义化中平行存在。在研究口头文学和儿童与青少年文学领域,我们将遵循来自南斯拉夫文学跨文学共同体的最杰出作家的理论假设,展示语言-风格遗产如何通过传统的口头文学形式在当代作家的文本中被重新解释,以及口头元素如何出现在新的叙事结构中-新类型的短篇小说和童话故事。我们将展示文本的修辞和节奏价值如何在语言大胆性中溢出,以及古老的口头结构如何;民歌和民间故事在叙事上被陌生化、解构和模仿。
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Oral Literature in Literature for Children and Youth of Alija Isaković and Ljubica Ostojić
The purpose of this paper is to show how the elements of oral literature interpolate in the contemporary literature for children and youth of the prominent Bosnian-Herzegovinian authors Alija Isaković and Ljubica Ostojić.Firstly, this Paper theoretically elaborates on the presence of the elements of oral literature in the literature for children and youth. These two different literary directions touch each other at their roots, and in the contemporary interpolation, they exist parallelly in the genre re-semanticization of the elements of oral literature. Following theoretical postulates of the most prominent authors from the South-Slavic Interliterary Community in the field of researching oral literature and literature for children and youth, we will show how the linguistic-stylistic heritage is re-interpreted through the traditional oral literary forms in the texts of contemporary authors, and how the elements of orality appear in new narrative structures- short stories and fairy tales of a new type. We will show how the rhetorical and rhythmical values of a text spill over in linguistic audacity, and how old oral structures; folk songs, and folk tales are narratively defamiliarized, deconstructed, and parodied.
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66
审稿时长
16 weeks
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