{"title":"情境意义之外:从杜威的审美经验到深度学习的感性抽象","authors":"Qing Archer Zhang","doi":"10.1080/00131857.2023.2261619","DOIUrl":null,"url":null,"abstract":"AbstractThis paper seeks to introduce a meaning-making process called ‘sensuous abstraction’ as one approach to aesthetic experience in line with Dewey’s philosophy. Dewey highlights aesthetic experience as the best form of experience that integrates emotional and intellectual qualities to foster deep learning and insights. Building on contemporary research on sensation, affect, and human brain, this paper identifies two distinct modes of human understanding: the linguistic/conceptual system and the sensuous-imaginative system. The former, often associated with abstraction and intellectual thinking, is heavily emphasized in traditional schooling, but the latter, integral to human cognition, is sadly neglected and overlooked. While situational meaning offers a way to bridge the two systems, it often falls short of leading to aesthetic experience. In response, sensuous abstraction can promote a process of meaning making that becomes more general than sensation but never as general as linguistic categories while maintaining its sensory wholeness as aesthetic experience demands. Using a classical artwork as an example, this paper concludes sensuous abstraction can be adopted as one approach for educators to create learning experiences by integrating sensory experience and generalizations and abstractions that lead to aesthetic experience.Keywords: Aesthetic experienceJohn Deweysensuous abstractionsituational meaning Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsQing Archer ZhangQing Archer Zhang PhD in Learning, Literacies, and Technologies from Mary Lou Fulton Teachers College at Arizona State University. Currently she works at the intersection of human learning, experience design, and media studies.","PeriodicalId":47832,"journal":{"name":"Educational Philosophy and Theory","volume":null,"pages":null},"PeriodicalIF":1.5000,"publicationDate":"2023-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Beyond situational meaning: From Dewey’s aesthetic experience to sensuous abstraction for deep learning\",\"authors\":\"Qing Archer Zhang\",\"doi\":\"10.1080/00131857.2023.2261619\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"AbstractThis paper seeks to introduce a meaning-making process called ‘sensuous abstraction’ as one approach to aesthetic experience in line with Dewey’s philosophy. Dewey highlights aesthetic experience as the best form of experience that integrates emotional and intellectual qualities to foster deep learning and insights. Building on contemporary research on sensation, affect, and human brain, this paper identifies two distinct modes of human understanding: the linguistic/conceptual system and the sensuous-imaginative system. The former, often associated with abstraction and intellectual thinking, is heavily emphasized in traditional schooling, but the latter, integral to human cognition, is sadly neglected and overlooked. While situational meaning offers a way to bridge the two systems, it often falls short of leading to aesthetic experience. In response, sensuous abstraction can promote a process of meaning making that becomes more general than sensation but never as general as linguistic categories while maintaining its sensory wholeness as aesthetic experience demands. Using a classical artwork as an example, this paper concludes sensuous abstraction can be adopted as one approach for educators to create learning experiences by integrating sensory experience and generalizations and abstractions that lead to aesthetic experience.Keywords: Aesthetic experienceJohn Deweysensuous abstractionsituational meaning Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsQing Archer ZhangQing Archer Zhang PhD in Learning, Literacies, and Technologies from Mary Lou Fulton Teachers College at Arizona State University. 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Beyond situational meaning: From Dewey’s aesthetic experience to sensuous abstraction for deep learning
AbstractThis paper seeks to introduce a meaning-making process called ‘sensuous abstraction’ as one approach to aesthetic experience in line with Dewey’s philosophy. Dewey highlights aesthetic experience as the best form of experience that integrates emotional and intellectual qualities to foster deep learning and insights. Building on contemporary research on sensation, affect, and human brain, this paper identifies two distinct modes of human understanding: the linguistic/conceptual system and the sensuous-imaginative system. The former, often associated with abstraction and intellectual thinking, is heavily emphasized in traditional schooling, but the latter, integral to human cognition, is sadly neglected and overlooked. While situational meaning offers a way to bridge the two systems, it often falls short of leading to aesthetic experience. In response, sensuous abstraction can promote a process of meaning making that becomes more general than sensation but never as general as linguistic categories while maintaining its sensory wholeness as aesthetic experience demands. Using a classical artwork as an example, this paper concludes sensuous abstraction can be adopted as one approach for educators to create learning experiences by integrating sensory experience and generalizations and abstractions that lead to aesthetic experience.Keywords: Aesthetic experienceJohn Deweysensuous abstractionsituational meaning Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsQing Archer ZhangQing Archer Zhang PhD in Learning, Literacies, and Technologies from Mary Lou Fulton Teachers College at Arizona State University. Currently she works at the intersection of human learning, experience design, and media studies.
期刊介绍:
Educational Philosophy and Theory publishes articles concerned with all aspects of educational philosophy. It will also consider manuscripts from other areas of pure or applied educational research. In this latter category the journal has published manuscripts concerned with curriculum theory, educational administration, the politics of education, educational history, educational policy, and higher education. As part of the journal''s commitment to extending the dialogues of educational philosophy to the profession and education''s several disciplines, it encourages the submission of manuscripts from collateral areas of study in education, the arts, and sciences, as well as from professional educators. Nevertheless, manuscripts must be germane to the ongoing conversations and dialogues of educational philosophy.