{"title":"以上是一个 mixtûre / 混合 asô 美丽在一个","authors":"Anna Sziráky, Robert Gisselbaek","doi":"10.3813/zfda-2023-0009","DOIUrl":null,"url":null,"abstract":"The term mixtûre, adopted from the Latin mixtura and used to describe Petitcreiu’s blend of colours, provides a key to the lovers’ interpretative engagement with this enigmatic dog. If the dog is also understood as an allegory for the poem, mixtûre is to be related to medieval music theory and to the concepts of harmony and order which are an essential part of Gottfried’s poetics.","PeriodicalId":43495,"journal":{"name":"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR","volume":"9 1","pages":"0"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"obene was ein mixtûre / gemischet alsô schône in ein\",\"authors\":\"Anna Sziráky, Robert Gisselbaek\",\"doi\":\"10.3813/zfda-2023-0009\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The term mixtûre, adopted from the Latin mixtura and used to describe Petitcreiu’s blend of colours, provides a key to the lovers’ interpretative engagement with this enigmatic dog. If the dog is also understood as an allegory for the poem, mixtûre is to be related to medieval music theory and to the concepts of harmony and order which are an essential part of Gottfried’s poetics.\",\"PeriodicalId\":43495,\"journal\":{\"name\":\"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR\",\"volume\":\"9 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3813/zfda-2023-0009\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ZEITSCHRIFT FUR DEUTSCHES ALTERTUM UND DEUTSCHE LITERATUR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3813/zfda-2023-0009","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
obene was ein mixtûre / gemischet alsô schône in ein
The term mixtûre, adopted from the Latin mixtura and used to describe Petitcreiu’s blend of colours, provides a key to the lovers’ interpretative engagement with this enigmatic dog. If the dog is also understood as an allegory for the poem, mixtûre is to be related to medieval music theory and to the concepts of harmony and order which are an essential part of Gottfried’s poetics.
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