拉皮塔陶器织物的有意变异性

Mathieu Leclerc, Tracey Pilgrim, Kristine Hardy, Matthew Spriggs, Stuart Bedford, Numa F. Longga
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摘要

瓦努阿图Vao的装饰Lapita陶器的岩石学和化学分析结果表明,大多数是在当地制造的,但使用了几种不同的当地原材料。这表明回火材料是从一系列设置中收集的,其中大多数可以在马拉库拉本地访问。两个样品的温度与瓦努阿图中部的埃法特岛的原材料相符,那里有其他重要的拉皮塔遗址。这种织物可变性的模式与其他创始人Lapita遗址记录的重复实践相似,包括埃法特的Teouma。我们认为,流动性和实验并不是唯一的解释,可以证明在创始人拉皮塔定居点,用于陶器制造的原材料最初存在更大的可变性。我们认为,原材料的可变性源于一种有目的的策略,这种策略受到文化规范或规则的指导,类似于那些指导与装饰Lapita壶相关的其他行为的文化规范或规则,如装饰图案、油漆应用、容器形式和故意埋葬。
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The intentional variability of Lapita pottery fabrics
Results from petrographic and chemical analysis of decorated Lapita pottery from Vao, Vanuatu show that the majority was manufactured locally but that several variations of local raw materials were used. This indicates that temper material was collected from a range of settings, most of them accessible locally on Malakula. Two samples have temper corresponding with raw materials expected from the island of Efate in central Vanuatu where other significant Lapita sites are located. This pattern of fabric variability parallels recurrent practices documented at other founder Lapita sites, including Teouma on Efate. We propose that mobility and experimentation are not the only explanations available to justify the greater initial variability in raw materials used for pottery manufacturing at founder Lapita settlements. We argue that the variability of raw material results from a purposeful strategy guided by cultural norms or rules similar to those directing other behaviors associated with decorated Lapita pots, such as decorative motifs, paint application, vessel forms, and deliberate burial.
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