{"title":"朋克中的越轨女性:20 世纪 70 年代的政治、性和创造性侵略","authors":"David A. Valone","doi":"10.1111/jpcu.13286","DOIUrl":null,"url":null,"abstract":"<p>Prior analyses have examined various elements of punk rock as an aggressive anti-establishment cultural and social movement that arose in post-WWII America and flourished in the 1970s. The unique gender dynamic of punk, however, has been less of a focus of historical investigation. This essay examines the lives and music of three women involved in the early years of the emergence of punk, an era overwhelmingly dominated by men. By focusing on the creative expression and Penelope Houston of Avengers, Debbie Harry of Blondie, and Wendy O. Williams of Plasmatics, this paper seeks to analyze how certain women in the punk movement explicitly sought to challenge the conventional narratives of women's social, political, and sexual roles in the late 1970s and in so doing helped to carve out new paths for women's expression and ways of being in American society.</p>","PeriodicalId":46552,"journal":{"name":"Journal of Popular Culture","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transgressive women in punk: Politics, sexuality, and creative aggression in the 1970s\",\"authors\":\"David A. Valone\",\"doi\":\"10.1111/jpcu.13286\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Prior analyses have examined various elements of punk rock as an aggressive anti-establishment cultural and social movement that arose in post-WWII America and flourished in the 1970s. The unique gender dynamic of punk, however, has been less of a focus of historical investigation. This essay examines the lives and music of three women involved in the early years of the emergence of punk, an era overwhelmingly dominated by men. By focusing on the creative expression and Penelope Houston of Avengers, Debbie Harry of Blondie, and Wendy O. Williams of Plasmatics, this paper seeks to analyze how certain women in the punk movement explicitly sought to challenge the conventional narratives of women's social, political, and sexual roles in the late 1970s and in so doing helped to carve out new paths for women's expression and ways of being in American society.</p>\",\"PeriodicalId\":46552,\"journal\":{\"name\":\"Journal of Popular Culture\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-11-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Popular Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1111/jpcu.13286\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Popular Culture","FirstCategoryId":"90","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1111/jpcu.13286","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Transgressive women in punk: Politics, sexuality, and creative aggression in the 1970s
Prior analyses have examined various elements of punk rock as an aggressive anti-establishment cultural and social movement that arose in post-WWII America and flourished in the 1970s. The unique gender dynamic of punk, however, has been less of a focus of historical investigation. This essay examines the lives and music of three women involved in the early years of the emergence of punk, an era overwhelmingly dominated by men. By focusing on the creative expression and Penelope Houston of Avengers, Debbie Harry of Blondie, and Wendy O. Williams of Plasmatics, this paper seeks to analyze how certain women in the punk movement explicitly sought to challenge the conventional narratives of women's social, political, and sexual roles in the late 1970s and in so doing helped to carve out new paths for women's expression and ways of being in American society.
期刊介绍:
The popular culture movement was founded on the principle that the perspectives and experiences of common folk offer compelling insights into the social world. The fabric of human social life is not merely the art deemed worthy to hang in museums, the books that have won literary prizes or been named "classics," or the religious and social ceremonies carried out by societies" elite. The Journal of Popular Culture continues to break down the barriers between so-called "low" and "high" culture and focuses on filling in the gaps that a neglect of popular culture has left in our understanding of the workings of society.