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Correction to Will the real faker please do a shoulder roll? Bodies, labor, and ideology in esports 请真正的伪造者转动一下肩膀好吗？电子竞技中的身体、劳动和意识形态
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-09-04 DOI: 10.1111/jpcu.13373

Pate, George. 2024. “Will the Real Faker Please Do a Shoulder Roll? Bodies, Labor, and Ideology in Esports.” The Journal of Popular Culture 57(2): 106–117. https://doi.org/10.1111/jpcu.13321.

In paragraph 3, the sentence “Studying video games with a focus on the ways performing bodies make offers a unique contribution by shifting the locus of inquiries regarding gaming and ideology onto the physical performances of the actual players as well as the ways the gaming industry and surrounding culture frame those performances” was missing the word “meaning” after “performing bodies make.” It should read “Studying video games with a focus on the ways performing bodies make meaning offers a unique contribution by shifting the locus of inquiries regarding gaming and ideology onto the physical performances of the actual players as well as the ways the gaming industry and surrounding culture frame those performances.”

Additionally, the game Rivals of Aether was misspelled as Rivals of Ether on p. 113.

We apologize for this error.

乔治·佩特，2024。“请真正的伪造者转动肩膀好吗？”电子竞技中的身体、劳动和意识形态。”社会科学学报，21(2):391 - 391。https://doi.org/10.1111/jpcu.13321.In第3段中，“研究电子游戏，关注表演身体的行为方式，通过将关于游戏和意识形态的调查转移到实际玩家的身体行为以及游戏产业和周围文化框架这些行为的方式，提供了独特的贡献”这句话在“表演身体行为”之后缺少了“意义”这个词。它应该是这样的：“研究电子游戏，关注表演身体产生意义的方式，通过将关于游戏和意识形态的调查转移到实际玩家的身体表演上，以及游戏产业和周围文化构建这些表演的方式，可以提供独特的贡献。”此外，游戏《Rivals of Aether》在第113页被拼错为《Rivals of Ether》。我们为这个错误道歉。
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引用次数: 0
Beyoncé's “break my soul”: An anthem of courage, resistance, peace, and community 碧昂斯的“打破我的灵魂”：一首关于勇气、抵抗、和平和社区的赞歌
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-26 DOI: 10.1111/jpcu.13374
Neal A. Lester

In 2023, Beyoncé became the artist with the most Grammys in music history. Her dance track, “Break My Soul,” from her Renaissance album,* is a radical statement about community and self-affirmation grounded in Black and queer cultural specificity. This article explores “Break My Soul” as an anthem of uplift, advice, and unity that offers hope and reprieve to a world emerging from a global pandemic and a “racial reckoning” galvanized by Minneapolis police officer Derek Chauvin's murder of George Floyd.

2023 年，碧昂斯成为音乐史上获得格莱美奖最多的艺术家。她的《文艺复兴》专辑*中的舞曲《Break My Soul》是一首关于黑人和同性恋文化特性的社区和自我肯定的激进宣言。本文探讨的《Break My Soul》是一首振奋人心、谆谆教诲和团结一致的颂歌，它为刚刚摆脱全球大流行病和明尼阿波利斯警官德里克-乔文（Derek Chauvin）谋杀乔治-弗洛伊德（George Floyd）事件引发的 "种族清算 "的世界带来了希望和缓和。
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引用次数: 0
The cultural construction of hidden spaces: Essays on pockets, pouches, and secret drawers By James Brown, Anna Jamieson, Naomi Segal (Eds.), Boston, MA: Brill. 2024. pp. 352. $155.00 (hbk). 隐藏空间的文化建构：关于口袋，小袋和秘密抽屉的文章，詹姆斯·布朗，安娜·贾米森，内奥米·西格尔（编），波士顿，马萨诸塞州：布瑞尔，2024。352页。155.00美元(hbk)。
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-21 DOI: 10.1111/jpcu.13380
Lin Wu, Jing Yin
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引用次数: 0
Why any woman: Feminism and popular culture in the late twentieth-century South By Keira V. Williams. Athens, Georgia: The University of Georgia Press. 2023. pp. 236. $29.95 (pbk) 为什么任何女人：女权主义和流行文化在20世纪后期的南方凯拉·v·威廉姆斯。佐治亚州雅典：佐治亚大学出版社。2023。236页。29.95美元(pbk)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-20 DOI: 10.1111/jpcu.13377
Manus Aisha
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引用次数: 0
Quasi-color consciousness: Casting, race, and sexual violence in Netflix's Bridgerton 准肤色意识：奈飞《布里杰顿》中的选角、种族和性暴力
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-19 DOI: 10.1111/jpcu.13375
Emma Lynn

The hit Netflix series Bridgerton (2020–) updates the period drama for the twenty-first century with its racially diverse cast. Despite the series' potential for subverting racial hierarchies, this article argues that Bridgerton does not fully account for racist social structures, replicates racial stereotypes, and, most crucially, delegitimizes Black men as victims of sexual violence. These representational quandaries stem from Bridgerton's use of the casting and narrative practice “quasi-color consciousness.” Quasi-color consciousness provides more nuanced language beyond colorblind casting to account for television producers' efforts (and shortcomings) to create racially diverse contemporary television programming.

Netflix 热播剧集《布里奇顿》（2020-）以其多元化的种族演员阵容将年代剧更新到了 21 世纪。尽管该剧具有颠覆种族等级制度的潜力，但本文认为，《布里奇顿》并没有充分考虑种族主义社会结构，复制了种族刻板印象，最关键的是，它使黑人男性作为性暴力受害者的身份非法化。这些表述上的窘境源于布里奇顿对 "准肤色意识 "这一选角和叙事手法的运用。准肤色意识 "提供了比 "色盲 "选角更细致入微的语言，来解释电视制片人在创作种族多元化的当代电视节目方面所做的努力（以及存在的不足）。
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引用次数: 0
The flesh of animation: Bodily sensations in film and digital media By Sandra Annett. Minneapolis, MN: University of Minnesota Press. 2024. pp. 288. $29.00 (pbk) 动画的肉体：电影和数字媒体中的身体感觉。明尼阿波利斯，明尼苏达州：明尼苏达大学出版社，2024。288页。29.00美元(pbk)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-16 DOI: 10.1111/jpcu.13378
Mansi Tiwari
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引用次数: 0
The gothic and twenty-first-century American popular culture By Anna Marta Marini, Michael Fuchs (Eds.), Boston, MA: Brill. 2024. p. 248. £105.84 (hbk) 哥特式与二十一世纪美国流行文化 Anna Marta Marini、Michael Fuchs（Eds.）著，马萨诸塞州波士顿：Brill. 2024. p. 248.105.84 英镑（平装本）
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-15 DOI: 10.1111/jpcu.13379
Lin Wu, Ziwei Yan
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引用次数: 0
Playing the percentages: How film distribution made the Hollywood studio system By Derek Long. Austin, TX: University of Texas Press. 2024. pp. 296. $55.00 (hbk) 《扮演百分比：电影发行如何造就好莱坞制片厂体系》德里克·朗著。奥斯汀，德克萨斯州：德克萨斯大学出版社，2024。296页。55.00美元(hbk)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-06 DOI: 10.1111/jpcu.13376
Wayne E. Arnold
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引用次数: 0
Creating the viewer: Market research and the evolving media ecosystem By Justin Wyatt. Austin, TX: University of Texas Press. 2024. pp. 288. $105.00 (hbk) 《创造观众：市场研究和不断发展的媒体生态系统》作者：Justin Wyatt奥斯汀，德克萨斯州：德克萨斯大学出版社，2024。288页。105.00美元(hbk)
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-08-04 DOI: 10.1111/jpcu.13372
Arya Priyadarshini
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引用次数: 0
Will “you be found?”—Intratextual social media and going viral in the contemporary teen musical 你会被找到吗？——文本内社交媒体，并在当代青少年音乐剧中走红
IF 0.2 4区 社会学 Q4 CULTURAL STUDIES
Journal of Popular Culture
Pub Date : 2024-07-31 DOI: 10.1111/jpcu.13371
Emry Sottile

As musical theater has gained traction with younger audiences, producers have put out numerous new shows that focus on the modern high school experience in an attempt to capture this target audience. Social media has moved beyond being an off-stage marketing tactic and has since warped into an on-stage plot device to feel authentic to audiences. Through analyzing Dear Evan Hansen, The Prom, and Teenage Dick, social media in contemporary theater is a proven means to stay relevant to young audiences that can highlight the unificatory and divisive nature of digital spaces with respect to twenty-first century adolescence and identity.

随着音乐剧越来越受到年轻观众的青睐，制作人推出了大量以现代高中生活为主题的新剧，试图抓住这部分目标观众。社交媒体已不再是舞台下的营销手段，而成为了舞台上的情节设置，让观众感到真实可信。通过分析《亲爱的埃文-汉森》、《毕业舞会》和《少年屌丝》，当代戏剧中的社交媒体是一种行之有效的手段，可以与年轻观众保持密切联系，突出数字空间在 21 世纪青春期和身份认同方面的统一性和分裂性。
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引用次数: 0
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